Georgian · Hagiography ·
Anonymous · titus
Work dossier · summary and historical context
This Old Georgian compilation of the passions, miracles, praises, and offices of George the Greatmartyr survives in a single manuscript and is dated by linguistic and liturgical features to the 10th–11th centuries. The compiler is anonymous, and the text was used in Georgian monastic communities for the saint's feast day. The passion narrative follows the standard hagiographic pattern of martyrdom under Diocletian, with George's disciple Basikartos named as the author. The Georgian may represent a lost intermediary recension between Greek or Syriac Vorlagen, but no critical edition of those sources exists. The English translation flags the source text's sequence to avoid conflating distinct miracle episodes.
This compilation is a key witness to the Georgian reception of the George legend and to the liturgical use of hagiography in Georgian monasticism. It may preserve a lost recension that bridges Greek and Syriac traditions. The text's linguistic features also contribute to the study of Old Georgian and its development. The annotation of scribal corruptions, such as 'კერ/პთმსახურებასა' for 'კერპთმსახურებასა' (idol worship), highlights the manuscript's textual challenges.
The work was produced in a Georgian monastic milieu, likely in the 10th–11th centuries, based on linguistic and liturgical features. The single manuscript (the base for the Titus edition) lacks a colophon or external reference to confirm a precise date. The cult of George was widespread in the Christian East, and this compilation reflects the liturgical use of hagiographic readings for his feast day. The Georgian text may derive from a lost Greek or Syriac intermediary, but no critical edition of those Vorlagen exists. The passion narrative is set during the Great Persecution under Diocletian (r. 284–305), a standard backdrop for martyrdom accounts. The text's characterization of Diocletian as a 'raging beast' and the invocation of Apollo as the chief pagan deity are typical hagiographic tropes. The name Basikartos, identified as George's disciple and author, is a Georgian rendering of a Greek or Syriac original, possibly 'Basil' or 'Barsamya'.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||