Work dossier · summary and historical context
The Miracles of ʾAnānya is an anonymous Geʿez hagiography recounting miracles attributed to the saint ʾAnānya, also called Fāsīledes. The work belongs to the Taʾammərā Maryam cycle, indicating its liturgical use in Marian feasts within the Ethiopian Orthodox tradition. The sole known edition is the Betä Mäsəḥəfät imprint, which lacks a critical apparatus and does not record variant readings. The composition likely postdates the 15th century based on manuscript evidence. The figure ʾAnānya is not attested in earlier hagiographical sources; his identity may be conflated with other saints, possibly the 17th-century emperor Fasilides, whose identification as a martyr is unusual.
The Miracles of ʾAnānya is significant as a witness to the development of hagiography within the Taʾammərā Maryam cycle, illustrating how local saints were integrated into Marian devotion. The double name ʾAnānya/Fāsīledes suggests a possible conflation with the historical emperor Fasilides, offering insight into how political figures could be sacralized in Ethiopian tradition. The work also exemplifies the use of biblical and hagiographic topoi to elevate a saint, linking it to broader Christian hagiographic practices.
The work is composed in Geʿez, the classical liturgical language of the Ethiopian Orthodox Tewahedo Church. It belongs to the Taʾammərā Maryam (Miracles of Mary) cycle, a collection of miracle stories used in the liturgy of Marian feasts. The text is anonymous and undated, but its composition likely postdates the 15th century, as the earliest known manuscripts of the Taʾammərā Maryam cycle date from that period. The sole edition is the Betä Mäsəḥəfät imprint, which provides the base text but lacks a critical apparatus, leaving textual fluidity unaddressed. The saint ʾAnānya is also named Fāsīledes, a name shared with the 17th-century Ethiopian emperor Fasilides (r. 1632–1667), known for his patronage of the church and construction of Gondar Castle. His identification as a martyr here is unusual and may reflect a local tradition or conflation. The work survives only in this edition, with no known manuscript witnesses, limiting our knowledge of its transmission.
Apparatus · what the pipeline recorded
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