Work dossier · summary and historical context
The Šaraknocʿ is the Armenian hymnal, a liturgical collection of hymns (šarakan) used in the Divine Liturgy and the daily Office of the Armenian Apostolic Church. This anonymous compilation developed between the 5th and 13th centuries, with individual hymns often attributed to early Armenian patriarchs such as Sahak Partʿew and Mesrop Mashtotsʿ. The text is transmitted in manuscript and later printed forms, with the earliest printed edition in Constantinople (1704). The present edition is based on the TITUS digital version, which draws on critical editions of the classical Armenian text. The collection remains the standard hymnal of the Armenian Church, cited in later theological and liturgical commentaries. This edition provides the classical Armenian text without translation or musical notation.
The Šaraknocʿ is the foundational hymnal of the Armenian Apostolic Church, central to its liturgical life and identity. It preserves the earliest layers of Armenian hymnography, linking the church to its patristic and biblical roots. The collection's hymns are cited in later Armenian theological and liturgical commentaries, demonstrating its enduring influence. As a corpus, it reflects the development of Armenian Christian worship and the adaptation of hymnody to the liturgical year.
The Šaraknocʿ emerged within the Armenian Apostolic Church, which developed its distinct liturgical tradition after the conversion of Armenia to Christianity in the early 4th century. The collection's core hymns date from the 5th to 13th centuries, a period when Armenian hymnography flourished under figures like Sahak Partʿew (c. 350–439) and Mesrop Mashtotsʿ (c. 362–440), the inventor of the Armenian alphabet. The hymns were composed in classical Armenian and transmitted orally before being written in manuscripts. The earliest printed edition appeared in Constantinople in 1704, reflecting the diaspora's role in preserving Armenian liturgy. The Šaraknocʿ is closely related to the Armenian Divine Liturgy and the daily Office, and its hymns often draw on biblical and patristic sources. The collection's anonymous attribution is a modern editorial convenience; many hymns have named authors in the manuscript tradition. The text's transmission was shaped by the Armenian Church's history, including periods of Persian and Byzantine influence, and later Ottoman rule.
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