Work dossier · summary and historical context
The Sinai Iadgari (Udzvelesi Iadgari) is the earliest known collection of Georgian hymnography, preserved in a single tenth-century manuscript from St. Catherine's Monastery. It contains hymns and readings for the liturgical year, reflecting the Jerusalemite liturgy before later Byzantine reforms. The collection is dated to the 7th–8th centuries based on palaeography and the absence of later liturgical developments, though no colophon confirms this. It was superseded by the Georgian Menaion and is not used in modern Orthodox practice. The manuscript includes undeciphered neumes. This edition presents the Georgian text without a critical apparatus for the musical notation.
The Sinai Iadgari is crucial for understanding early Georgian hymnography and the Jerusalemite liturgy before Byzantine standardization. It provides unique evidence of Georgian theological expression and liturgical practice in the 7th–8th centuries, including hymns for feasts like the Annunciation. Its relation to later Georgian and Byzantine traditions highlights the evolution of Christian worship in the Caucasus and the Eastern Mediterranean.
The Sinai Iadgari was produced in a Georgian monastic community, likely at St. Catherine's Monastery on Mount Sinai, where Georgian monks were active from the 6th century onward. The manuscript dates to the 7th–8th centuries, a period when Georgian liturgy was closely tied to the Jerusalemite tradition, before the adoption of the Constantinopolitan rite. The collection preserves hymns for the liturgical year, including the Annunciation, and reflects early Georgian theological and poetic traditions. Its survival in a single manuscript suggests limited circulation; it was later replaced by the Menaion, which followed Byzantine models. The text is written in Georgian script and includes musical neumes that remain largely undeciphered, limiting study of its musical dimensions. The Iadgari is a key witness to the development of Georgian hymnography and the Jerusalemite liturgical tradition.
Apparatus · what the pipeline recorded
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