Work dossier · summary and historical context
This anonymous Latin treatise examines marble donation tablets, likely from a late medieval or early modern ecclesiastical context. The work survives in a single manuscript tradition preserved only in the Ogl-PL source edition, with no known earlier witnesses. The author discusses the tablets' role in recording donations, possibly for lighting purposes, and references Gregory the Great's endowments to Roman basilicas. The text reflects a Renaissance or early modern valorization of typography over epigraphy for preserving monuments. The author notes the fragmentary condition of the tablets, with different stone shapes and mutilated ends, affecting interpretation. No internal references to datable events or persons exist, and the work's date is inferred from unspecified paleographic and codicological features.
This treatise offers rare insight into the material and textual culture of donation tablets in late medieval or early modern ecclesiastical settings. Its discussion of marble inscriptions and the shift from epigraphy to print reflects broader Renaissance debates about preservation and authenticity. The work's survival in a single, poorly documented manuscript underscores the fragility of such texts and the challenges of studying them.
The treatise's date is uncertain, inferred only from paleographic and codicological features of the sole surviving copy, which remain unspecified. The work likely originates from a late medieval or early modern ecclesiastical community in Rome or Italy, given references to Old St. Peter's and San Paolo fuori le Mura. The author's argument that printing preserves monuments better than sculpture aligns with Renaissance humanist attitudes toward textual transmission. The text survives in a single manuscript tradition, with no known earlier witnesses, limiting verification of textual variants or scribal interventions. No evidence of later liturgical, canonical, or translation use exists, suggesting limited circulation and influence. The work's relationship to other donation-tablet treatises is unexplored, and the source edition provides no critical apparatus or stemma.
Apparatus · what the pipeline recorded
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