Work dossier · summary and historical context
John Chrysostom's homily on Psalm 94 is a continuous commentary from his Antiochene period (c. 386–397), surviving in a single Greek manuscript tradition with lacunae. The homily interprets the psalm as a call to communal joy and repentance, using military and musical metaphors—such as the hoplite and trumpet—to rouse the faithful. Chrysostom emphasizes the urgency of repentance in the present life, closing with a rhetorical question about Hades. The text was not included in the standard Byzantine liturgical cycle for Psalm 94, contributing to its neglect in transmission. No modern critical edition or translation exists; the present digital edition is based on a 19th-century print without manuscript collation.
This homily exemplifies Chrysostom's pastoral exegesis, blending Antiochene literalism with moral exhortation. Its neglect in liturgical use highlights how selection biases shaped the transmission of patristic commentaries. The work also provides insight into late antique military and musical imagery as rhetorical tools for Christian preaching. Its lack of a modern edition underscores the need for further textual criticism.
The homily belongs to Chrysostom's series on the Psalms, preached in Antioch during his presbyterate (c. 386–397). Antioch was a major center of Antiochene exegesis, emphasizing literal and historical interpretation. The community was predominantly Greek-speaking Christian, with a strong tradition of psalmody in liturgy and catechesis. The homily's survival in a single manuscript tradition, with lacunae, suggests limited circulation; its exclusion from the Byzantine liturgical cycle for Psalm 94 further explains its rarity. The text was transmitted through medieval Greek manuscripts, but no critical edition exists. The present edition relies on a 19th-century print (khazarzar), which does not collate manuscripts or report variants, so the accuracy of the underlying text against the manuscript tradition cannot be verified.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||