Work dossier · summary and historical context
John Chrysostom's homily on Psalm 100 (Septuagint numbering; Psalm 101 in Hebrew) is an Antiochene exegetical work that interprets the psalm as a spiritual song of praise. Chrysostom employs rhetorical repetition and contrasts sensory music with inspired, soul-directed worship, portraying David as a passive instrument of the Holy Spirit. The homily critiques worldly music for effeminating the soul, reflecting ascetic concerns. Transmitted through Greek catenae and the Eclogae, it was not translated into Latin in antiquity. The modern digital edition from khazarzar reproduces Migne's Patrologia Graeca without critical apparatus, lacking collation of manuscript witnesses or notation of Septuagint variants.
This homily exemplifies Chrysostom's pastoral exegesis, blending rhetorical skill with ascetic moral teaching. Its emphasis on spiritual song and critique of sensory indulgence reflects broader patristic concerns about music and morality. The work's transmission through catenae and its exclusion from Latin translation highlight the selective reception of Chrysostom's corpus. The lack of a critical edition underscores the need for careful textual scholarship.
The homily is attributed to Chrysostom's Antiochene period (c. 386–397), though Psalm 100 is not among his securely dated series; the attribution rests on manuscript tradition. It was composed in Greek for a Christian community in Antioch, a major center of Antiochene exegesis emphasizing literal and moral interpretation. The work was transmitted through Greek catenae (compilations of patristic commentary) and later included in the Eclogae of Chrysostom's works. It was not translated into Latin in antiquity, limiting its influence in the Western tradition. The modern edition from khazarzar is a digital transcription of Migne's Patrologia Graeca, not a critical edition; no manuscript witnesses are collated, and variant readings from the Septuagint tradition (e.g., Psalm 100 vs. Psalm 101) are not noted. The text lacks a critical apparatus and does not provide the biblical lemma, requiring the reader to supply the Septuagint text separately.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||