Greek · Letters ·
Gennadius of Constantinople · khazarzar
Work dossier · summary and historical context
The fragments of Gennadius of Constantinople's commentary on 1–2 Corinthians survive only in catenae and florilegia, with no continuous manuscript extant. Gennadius, patriarch of Constantinople from 458 to 471, likely composed the work during his episcopate, though no external witness fixes its precise date. The fragments are cited in later Greek catenae (e.g., Catenae in epistulas Pauli) and in John of Damascus's Sacra Parallela, indicating patristic authority. The digital edition (khazarzar) lacks full documentation of its textual basis and editorial principles, so readings should be verified against critical editions. No apparatus for variant readings in catena manuscripts is provided.
Gennadius's fragments provide insight into fifth-century Antiochene or Alexandrian exegesis of Paul's Corinthian correspondence, reflecting the Christological debates of the period. They are cited in major catenae and florilegia, demonstrating their enduring authority in Byzantine tradition. The fragments also illustrate the use of typological interpretation, as seen in the parallel between the Exodus and Christian baptism.
Gennadius of Constantinople served as patriarch from 458 to 471, a period of Christological controversy following the Council of Chalcedon (451). His commentary on 1–2 Corinthians likely dates from his episcopate, but no external witness fixes its composition precisely. The fragments survive only in catenae and florilegia, such as the Catenae in epistulas Pauli and John of Damascus's Sacra Parallela, indicating their use in later Byzantine exegesis. The work was originally in Greek, the language of the Eastern Church. The genre is a biblical commentary, likely in the form of homilies or scholia. The fragments' transmission through catenae suggests they were valued as patristic authorities, but the lack of a continuous manuscript limits our knowledge of the original work's structure and scope.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
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| no glossary terms recorded | |||