Work dossier · summary and historical context
The *Sasuliero Poezia* (Spiritual Poetry) is an anonymous collection of Old Georgian liturgical poems, preserved in a single manuscript tradition with lacunae and variant readings. Its elevated register and hymnodic structures align with medieval Georgian monastic poetry, likely composed between the 10th and 12th centuries. The poems were used in Georgian monastic liturgy, as indicated by rubricated headings, and later hymnbooks (18th–19th c.) occasionally cite them, but they never entered the standard printed corpus. The TITUS edition provides a diplomatic transcription without critical apparatus or translation, and variant readings from other witnesses are not systematically recorded. Attribution to 'Anonymous' is conventional; some poems may share authorship with known figures like Ioane Minchkhi or Mikael Modrekili, but evidence is circumstantial and debated.
The *Sasuliero Poezia* is significant as a rare witness to medieval Georgian liturgical poetry, preserving hymnodic structures and theological vocabulary that illuminate the spiritual and literary culture of Georgian monasticism. Its anonymous authorship and uncertain dating highlight the challenges of studying fragmentary manuscript traditions, while its occasional citation in later hymnbooks shows its enduring, if limited, influence.
The *Sasuliero Poezia* originates from the medieval Georgian monastic tradition, likely in the 10th–12th centuries, a period of flourishing hymnography and theological literature in the Georgian Orthodox Church. The poems were composed in Old Georgian, the liturgical language of the time, and reflect the theological vocabulary and hymnodic structures typical of Georgian monastic poetry. The text survives in a single manuscript tradition, with lacunae and variant readings, indicating a limited transmission. The TITUS edition collates several witnesses but does not fully resolve stemmatic relationships. The poems were used in Georgian monastic liturgy, as shown by rubricated headings, and later hymnbooks (18th–19th c.) occasionally cite them, but they never entered the standard printed liturgical corpus. The dating is uncertain due to the lack of explicit colophons or external witnesses, and the attribution to 'Anonymous' is conventional, with some poems possibly sharing authorship with known figures like Ioane Minchkhi or Mikael Modrekili, though evidence is circumstantial and debated.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||