Work dossier · summary and historical context
This dossier concerns a set of anonymous Old Georgian hagiographical texts edited by I. Imnaishvili. The work survives in a single manuscript copied no earlier than the 10th century, with orthographic variation indicating multiple scribal layers. Linguistic features and hagiographical conventions suggest a date of composition in the 9th–10th centuries. The edition normalizes some archaic spellings; readers should consult the apparatus for original readings. The hagiography is not attested in standard Georgian liturgical books, implying limited or local liturgical use. No critical study of its sources or historical context has been published.
This hagiography is significant as a witness to the development of Georgian hagiographical literature in the 9th–10th centuries, a period of cultural and religious flourishing in Georgia. It reflects the adaptation of Byzantine hagiographical models into the Georgian vernacular and the local veneration of saints. Its limited liturgical attestation suggests a regional or monastic cult, offering insight into the diversity of Georgian Christian practice beyond the mainstream liturgical tradition.
The Old Georgian text is preserved in a single manuscript, copied no earlier than the 10th century, with significant orthographic variation suggesting multiple scribal layers. The work is anonymous, and its dating rests on linguistic features and hagiographical conventions that point to the 9th–10th centuries. It is not attested in standard Georgian liturgical books (e.g., the Synaxarion), suggesting limited or local liturgical use. The edition by Imnaishvili normalizes some archaic spellings; readers should consult the apparatus for the manuscript’s original readings. No critical study of the sources or historical context has been published; the edition provides only the text and minimal notes. The hagiography likely originated in a Georgian monastic or ecclesiastical community, possibly in the Tao-Klarjeti region or another center of Georgian Christian literature, where such texts were copied and adapted for local veneration.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||