Work dossier · summary and historical context
The Old Georgian version of Gregory of Nyssa's homilies on the Song of Songs is a translation from a lost Greek original, likely produced in a medieval monastic setting. Its survival in a few manuscripts limits knowledge of its circulation, and its dating is uncertain, possibly as early as the 10th century. The translation preserves a text that may differ from the standard Greek tradition, reflecting the Byzantine reception of Gregory's allegorical exegesis within the Georgian Church.
This Georgian version is significant as a witness to the medieval reception of Gregory of Nyssa's exegesis in the Christian East, particularly within the Georgian Church. It preserves a text that may differ from the standard Greek tradition, offering potential insights into textual variants and the adaptation of patristic works for liturgical and educational purposes. The translation also illustrates the transmission of Neoplatonic and Origenist allegorical methods in a monastic context.
The Georgian translation of Gregory of Nyssa's homilies on the Song of Songs likely originated in a medieval monastic community, possibly in Georgia or a Georgian monastery abroad, between the 10th and 12th centuries. The original Greek homilies were composed in the late 4th century in Cappadocia, within a context of Neoplatonic and Origenist allegorical exegesis. The Georgian version was transmitted in a limited number of manuscripts, used in liturgy and theological education, and reflects the broader Byzantine reception of patristic works. The translation may have been produced to support monastic spiritual formation, adapting Gregory's allegorical method for a Georgian audience. The lack of a critical apparatus for the Greek Vorlage and the absence of systematic recording of variants between the Georgian and Greek traditions highlight the challenges in studying this text.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||