Work dossier · summary and historical context
The Image of Libānos is an anonymous Geʿez hagiography preserved in a single undated manuscript (Rep. Ch. 377). It praises Libānos, a saint venerated in the Ethiopian tradition, using a trinitarian and Marian invocation and a malkəʾ-hymn structure. The work adapts the salutation formula to describe Libānos's hair and stature, linking him to Christ's salvific role. Its date of composition is unknown, and it has minimal reception outside the manuscript, not being used in the liturgy. The edition lacks translation, commentary, or notes on lacunae.
The Image of Libānos is significant as a rare witness to a hagiographic tradition for a saint venerated in Ethiopia but not among the Twelve Apostles. Its adaptation of the malkəʾ-hymn genre to Libānos illustrates the flexibility of Geʿez liturgical forms. The work's survival in a single manuscript highlights the fragility of Ethiopian textual heritage and the need for further study of its palaeography and content.
The work belongs to the Ethiopian Christian tradition, composed in Geʿez, the classical liturgical language of the Ethiopian Orthodox Tewahedo Church. The manuscript Rep. Ch. 377 is undated, and no palaeographic analysis has been published, so the date of composition remains unknown. The text survives in a single witness, suggesting limited circulation. Libānos is commemorated in the Ethiopian Synaxarion, but this hagiography is not known to have been used in the liturgy. The genre is hagiography, specifically adapting the malkəʾ-hymn form, which praises the saint's bodily parts. The work's invocation echoes Nicene and Johannine themes, common in Geʿez hymnography. Its transmission is isolated, with no other copies recorded in standard catalogues.
Apparatus · what the pipeline recorded
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