Work dossier · summary and historical context
Rejoice Mary, the Pascha of Adam is an anonymous Geʿez poem that addresses Mary with the refrain 'Rejoice, Mary' while framing Christ's passion as the 'Pascha of Adam,' blending joy with the redemptive suffering of the first man. The work survives in a single undated manuscript (betmas) with no known Ethiopic commentary or liturgical rubric, suggesting limited circulation. It is not cited in major Marian collections like the Taʾammǝra Maryam, indicating it remained outside the core Ethiopic Marian cycle. The poem's origin cannot be placed earlier than the 14th–15th century Geʿez poetic tradition, and no translation or commentary accompanies the edition.
The poem is significant for its unique blending of joy and redemptive suffering through the 'Pascha of Adam' motif, offering a rare glimpse into Ethiopian Marian piety outside the mainstream cycle. Its survival in a single manuscript highlights the fragility of such texts and the need for further study of Ethiopic poetic traditions.
The poem belongs to the Ethiopic (Geʿez) Christian tradition, likely composed between the 14th and 15th centuries, a period when Geʿez hymnody flourished in the Ethiopian Orthodox Tewahedo Church. It survives in a single manuscript (betmas) with no known liturgical rubric, suggesting it was not widely used in formal worship. The poem's Marian focus and typological imagery (e.g., Mary as new Eve) align with broader Christian traditions, but its unique refrain and epithets (e.g., 'daughter of Aaron and Moses') reflect local Ethiopian exegesis. The absence of citations in major collections like the Taʾammǝra Maryam indicates it remained peripheral. The manuscript is undated, and the work is anonymous, so its precise origin is uncertain.
Apparatus · what the pipeline recorded
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