Work dossier · summary and historical context
The Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā is an anonymous Geʿez malkǝʿ-hymn praising the Savior (Tanśǝʾa Madḫǝn). Composed in the standard five-verse stanza structure of the genre, it survives in a single manuscript from Dabra ʿĀśā, a monastery in Tigray, Ethiopia, associated with the tradition of Samuel of Dabra Halleluya. The work is undated, but its scriptorium context suggests an 18th- or 19th-century origin. It does not appear in the broader Ethiopian liturgical corpus and was likely used only locally. The edition provides no translation or commentary; an English draft is supplied separately.
This malkǝʿ-hymn is significant as a rare witness to local devotional poetry in the Ethiopian tradition, specifically from the Dabra ʿĀśā scriptorium. It illustrates the adaptation of the malkǝʿ genre for a Savior figure and reflects transregional hagiographic connections, including a possible link to Syria. The poem's survival in a single manuscript highlights the fragility of such local texts and the importance of preserving regional Ethiopian Christian literature.
The work is a malkǝʿ-hymn, a genre of Geʿez poetry that typically opens with a narrative section followed by a series of salutations (ሰላም ለ...) to parts of a saint's body or attributes. This hymn praises Tanśǝʾa Madḫǝn, a Savior figure, and is linked to Dabra ʿĀśā, a monastic site in Tigray, Ethiopia. The monastery is associated with the tradition of Samuel of Dabra Halleluya, a prominent Ethiopian saint. The poem's final stanza explicitly connects the saint to Dabra ʿĀśā, and the line 'the Tigrayan has defiled corruption' (ጤግሮስ ሙስና) may allude to local polemics or historical conflicts. The text survives in a single manuscript, with no other witnesses known, indicating limited transmission. Its date is uncertain, but the scriptorium context suggests an 18th- or 19th-century origin. The poem's imagery, such as 'a stalk in a vine' (ከመ ዘውስተ ፀምር ቃማ), echoes biblical vine imagery (e.g., Psalm 80:8-9 LXX), common in Ethiopic poetry. The mention of 'Salama of Kenya' as a place name associated with the saint's cult and the identification of Dabra ʿĀśā as being in Syria suggest a transregional hagiographic tradition, though the precise location of Salama is uncertain.
Apparatus · what the pipeline recorded
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