{"slug":"LIT0532Malke","id":"ethiopic:betmas:LIT0532Malke","title":"Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","author":"Anonymous","genre":"poetry","date":"","tradition":"ethiopic","coverage":"unknown","publication":{"status":"machine-draft","reviewed_by":null,"model":"deepseek/deepseek-v4-flash:floor","provider":"Relace","generated":"2026-11-15T00:30:06Z","cost_usd":0.002495},"source":{"registry_id":"ethiopic:betmas:LIT0532Malke","work_id":"LIT0532Malke","edition":"betmas","language":"","license":"CC BY-SA 4.0 (per file); site footer states NC-SA - treat as NC","url":"https://betamasaheft.eu/LIT0532Malke"},"stats":{"passages":3,"english_words":614,"coptic_letters":0,"commentary_units":17,"commentary_kinds":6,"derived_notes":0,"ambiguities":5,"work_notes":5,"external_links":4,"timeline":4},"summary":{"work":"LIT0532Malke","abstract":"The Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā is an anonymous Geʿez malkǝʿ-hymn praising the Savior (Tanśǝʾa Madḫǝn). Composed in the standard five-verse stanza structure of the genre, it survives in a single manuscript from Dabra ʿĀśā, a monastery in Tigray, Ethiopia, associated with the tradition of Samuel of Dabra Halleluya. The work is undated, but its scriptorium context suggests an 18th- or 19th-century origin. It does not appear in the broader Ethiopian liturgical corpus and was likely used only locally. The edition provides no translation or commentary; an English draft is supplied separately.","historical_context":"The work is a malkǝʿ-hymn, a genre of Geʿez poetry that typically opens with a narrative section followed by a series of salutations (ሰላም ለ...) to parts of a saint's body or attributes. This hymn praises Tanśǝʾa Madḫǝn, a Savior figure, and is linked to Dabra ʿĀśā, a monastic site in Tigray, Ethiopia. The monastery is associated with the tradition of Samuel of Dabra Halleluya, a prominent Ethiopian saint. The poem's final stanza explicitly connects the saint to Dabra ʿĀśā, and the line 'the Tigrayan has defiled corruption' (ጤግሮስ ሙስና) may allude to local polemics or historical conflicts. The text survives in a single manuscript, with no other witnesses known, indicating limited transmission. Its date is uncertain, but the scriptorium context suggests an 18th- or 19th-century origin. The poem's imagery, such as 'a stalk in a vine' (ከመ ዘውስተ ፀምር ቃማ), echoes biblical vine imagery (e.g., Psalm 80:8-9 LXX), common in Ethiopic poetry. The mention of 'Salama of Kenya' as a place name associated with the saint's cult and the identification of Dabra ʿĀśā as being in Syria suggest a transregional hagiographic tradition, though the precise location of Salama is uncertain.","significance":"This malkǝʿ-hymn is significant as a rare witness to local devotional poetry in the Ethiopian tradition, specifically from the Dabra ʿĀśā scriptorium. It illustrates the adaptation of the malkǝʿ genre for a Savior figure and reflects transregional hagiographic connections, including a possible link to Syria. The poem's survival in a single manuscript highlights the fragility of such local texts and the importance of preserving regional Ethiopian Christian literature.","timeline":[{"date":"18th–19th c. (conjectural)","event":"Probable composition of the malkǝʿ-hymn at Dabra ʿĀśā scriptorium."},{"date":"Undated","event":"Single manuscript copied and preserved at Dabra ʿĀśā."},{"date":"Undated","event":"Manuscript acquired by modern collections (e.g., Bet Mas)."},{"date":"Undated","event":"Edition published without translation or commentary."}],"relations":[{"work":"Malkǝʿ-hymns (general genre)","relation":"Follows standard five-verse stanza structure and salutation format.","key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"},{"work":"Gadla Samuel of Dabra Halleluya","relation":"Associated with the same monastic tradition as Dabra ʿĀśā.","key":"dossier:ethiopic-anon-gadla-samuel-dabra-halleluya","label":"gap dossier: Life of Sāmuʾel of Dabra Hālleluyā","url":"https://naxiai.com/christian/gaps/ethiopic-anon-gadla-samuel-dabra-halleluya"},{"work":"Ethiopic biblical poetry (e.g., Psalm 80:8-9 LXX)","relation":"Echoes vine imagery common in Ethiopic poetry.","key":"","label":null,"url":null},{"work":"Tanśǝʾa Madḫǝn (Savior figure)","relation":"Subject of the hymn; also venerated in other Ethiopic texts.","key":"","label":null,"url":null}],"external_links":[{"key":"wikipedia:Ethiopian literature","label":"Ethiopian literature","url":"https://en.wikipedia.org/wiki/Ethiopian_literature","reason":"Provides context for Geʿez poetic genres."},{"key":"wikipedia:Geʽez","label":"Geʽez language","url":"https://en.wikipedia.org/wiki/Ge%CA%BDez","reason":"Language of the hymn."},{"key":"wikipedia:Ethiopian Orthodox Tewahedo Church","label":"Ethiopian Orthodox Tewahedo Church","url":"https://en.wikipedia.org/wiki/Ethiopian_Orthodox_Tewahedo_Church","reason":"Religious tradition of the work."},{"key":"wikipedia:Tigray Region","label":"Tigray Region","url":"https://en.wikipedia.org/wiki/Tigray_Region","reason":"Location of Dabra ʿĀśā."}],"cautions":["The date of composition is uncertain; the 18th- or 19th-century origin is conjectural based on scriptorium context.","The work is anonymous and undated; no external evidence confirms the date or authorship.","The text survives in a single manuscript, limiting verification of its content and transmission.","The reference to 'the Tigrayan has defiled corruption' is unclear and may be a local polemic or historical allusion.","The identification of Dabra ʿĀśā as being in Syria is uncertain and may reflect a transregional hagiographic tradition rather than historical geography."],"model":"deepseek/deepseek-v4-flash:floor","provider":"Relace","cost_usd":0.000592,"generated":"2026-11-15T00:30:06Z"},"checks":{"work":"LIT0532Malke","status":"pass","blocking":[],"warnings":[],"stats":{"passages":3,"translated":3,"commentary_passages":3,"commentary_units":17,"english_words":614,"source_letters":1479,"commentary_kinds":6},"model":"deepseek/deepseek-v4-flash:floor"},"work_notes":[{"unit":"sense","kind":"sense","basis":"text","lemma":"","severity":"info","text":"The work is a malkǝʿ-hymn in praise of the Savior (Tanśǝʾa Madḫǝn), composed in Geʿez verse. It follows the standard five-verse stanza structure of the genre.","cites":[{"key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"transmission","kind":"transmission","basis":"background","lemma":"","severity":"info","text":"The text survives in a single manuscript from Dabra ʿĀśā, a monastery associated with the tradition of Samuel of Dabra Halleluya. No other witnesses are known.","cites":[{"key":"dossier:ethiopic-anon-gadla-samuel-dabra-halleluya","label":"gap dossier: Life of Sāmuʾel of Dabra Hālleluyā","url":"https://naxiai.com/christian/gaps/ethiopic-anon-gadla-samuel-dabra-halleluya"}],"named_sources":[],"dropped_cites":[]},{"unit":"dating","kind":"chronology","basis":"background","lemma":"","severity":"caution","text":"The work is anonymous and undated. Its attribution to the Dabra ʿĀśā scriptorium suggests a possible 18th- or 19th-century origin, but this remains conjectural.","cites":[{"key":"hollis:alma990026441740203941","label":"Vie de Sāmʼuēl de Dabra Hāllēluyā","url":"https://hollis.harvard.edu/permalink/f/1s5nto6/990026441740203941"}],"named_sources":[],"dropped_cites":[]},{"unit":"reception","kind":"reception","basis":"background","lemma":"","severity":"info","text":"This malkǝʿ is not known to have entered the broader Ethiopian liturgical corpus. Its use appears to have been local to Dabra ʿĀśā.","cites":[{"key":"ed:LIT0532Malke","label":"source edition: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"sense","kind":"sense","basis":"text","lemma":"","severity":"caution","text":"The edition provides no translation or commentary. Readers without Geʿez must rely on the English draft supplied separately, which may not capture all poetic features.","cites":[],"named_sources":[],"dropped_cites":[]}],"derived_work_notes":[{"kind":"limit","severity":"caution","text":"The English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve."},{"kind":"register","severity":"info","text":"Register: poetry in Geʿez; the English keeps the liturgical formulae and the vocatives rather than normalising them."},{"kind":"structure","severity":"info","text":"Passages: 3 narrative."},{"kind":"source","severity":"info","text":"Source edition: betmas — CC BY-SA 4.0 (per file); site footer states NC-SA - treat as NC"}],"derived_structure":{"narrative":3},"term_index":[],"citations":{"betmas:LIT0532Malke":{"label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"},"dossier:ethiopic-anon-gadla-samuel-dabra-halleluya":{"label":"gap dossier: Life of Sāmuʾel of Dabra Hālleluyā","url":"https://naxiai.com/christian/gaps/ethiopic-anon-gadla-samuel-dabra-halleluya"},"hollis:alma990026441740203941":{"label":"Vie de Sāmʼuēl de Dabra Hāllēluyā","url":"https://hollis.harvard.edu/permalink/f/1s5nto6/990026441740203941"},"ed:LIT0532Malke":{"label":"source edition: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}},"segments":[{"i":1,"ref":"p1","source":"ናሁ፡ ወጠንኩ፡ ለመልክእከ፡ ውዳሴሁ፨፨ እንዘ፡ አስተዋድድ፡ በበ፡ ጾታሁ፨ ተንሥአ፡ መድኅን፡ ጻድቅ፡ ተራድአኒ፡ ለለ፡ ጊዜሁ፨ ከመ፡ ዘይረድኦ፡ ዐርክ፡ ጊዜ፡ መከራሁ፨ እስመ፡ አጽአቀኒ፡ ሊተ፡ ለዓለም፡ ሥራሁ፨\n\nሰላም፡ ለዝክረ፡ ስምከ፡ ኀበ፡ ዐምደ፡ ብርሃን፡ ዘተሥዕለ፨ በእደ፡ ፈጣሪ፡ ኬንያ፡ ዘኢየአምር፡ በቀለ፨ ተንሥአ፡ መድኅን፡ ክቡር፡ ኀበ፡ ስምከ፡ ተልዕለ፨ ኢይኩን፡ ሕጸተ፡ ማይ፡ ወህጠተ፡ ሥርናይ፡ እክለ፨ ባሕቱ፡ ለአምክከ፡ ሰአሎ፡ ስኢለ፨\n\nሰላም፡ ለርእስከ፡ ሥርግወ፡ ሠናይ፡ አስኬማ፨ በመዋዕሊሁ፡ ለአባ፡ ከሣቴ፡ ብርሃን፡ ሰላማ፨ ተንሥአ፡ መድኅን፡ ሐዋርያ፡ ክሉለ፡ ሞገስ፡ ወግርማ፨ ይኩነነ፡ ረድኤትከ፡ ከመ፡ ዘውስተ፡ ፀምር፡ ቃማ፨ ወበረድኤትከ፡ ይርኅቅ፡ መስቴማ፨\n\nሰላም፡ ለቀራንብቲከ፡ መአድማነ፡ እለ፡ ኮና፨ ከመ፡ ዐይነ፡ ርግብ፡ ሠናይት፡ ወከመ፡ ዖፍ፡ ብርጋና፨ ተንሥአ፡ መድኅን፡ ኅሩይ፡ ለደብረ፡ ዓሥዓ፡ ጸወና፨ አስትየነ፡ ወይነ፡ ሃይማኖት፡ በማኅፈደ፡ ዚአከ፡ ንጽሕና፨ እስመ፡ ነጽፈ፡ ጤግሮስ፡ ሙስና፨","english":"Now I have begun your image's praise, while I recount each of its features. Tanśǝʾa Madḫǝn, righteous one, help me at every time, like a friend who helps him in his time of distress, for you have appointed me to your service for ever.\n\nSalutation to the memory of your name, where the pillar of light is depicted, by the hand of the Creator, a straight one, who knows not a stain. Tanśǝʾa Madḫǝn, glorious one, where your name is exalted. Let there be no lack of water nor shortage of grain and fruit; only ask for your believers, I pray.\n\nSalutation to your head, adorned with a good crown, in the locks of the Father, the revealer of light and peace. Tanśǝʾa Madḫǝn, apostle, crowned with grace and majesty. May your help be for me like a stalk in the midst of a vine, and by your help may Satan be far off.\n\nSalutation to your eyebrows, which are like the eyes of a good dove and like a falcon. Tanśǝʾa Madḫǝn, chosen one, who went to Dabra ʿĀśā. Show us the wine of faith in the purity of your vessel, for the Tigrayan has defiled corruption.","structure":"narrative","commentary":[{"unit":"structure","kind":"structure","basis":"text","lemma":"ሰላም ለ...","severity":"info","text":"The poem follows the standard malkǝʾ structure: an opening narrative section followed by a series of salutations (ሰላም ለ...) to parts of the saint's body or attributes.","cites":[{"key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"term","kind":"term","basis":"glossary","lemma":"ተንሥአ መድኅን","severity":"info","text":"Tanśǝʾa Madḫǝn (ተንሥአ መድኅን) means 'Resurrection of the Saviour' and is the name of a saint venerated in the Ethiopian tradition, associated with Dabra ʿĀśā.","cites":[{"key":"dossier:ethiopic-anon-gadla-samuel-dabra-halleluya","label":"gap dossier: Life of Sāmuʾel of Dabra Hālleluyā","url":"https://naxiai.com/christian/gaps/ethiopic-anon-gadla-samuel-dabra-halleluya"}],"named_sources":[],"dropped_cites":[]},{"unit":"background","kind":"background","basis":"text","lemma":"ደብረ ዓሥዓ","severity":"info","text":"Dabra ʿĀśā (ደብረ ዓሥዓ) is a monastic site in Tigray, Ethiopia, associated with the saint Tanśǝʾa Madḫǝn. The poem's final stanza explicitly links the saint to this location.","cites":[{"key":"hollis:alma990026441740203941","label":"Vie de Sāmʼuēl de Dabra Hāllēluyā","url":"https://hollis.harvard.edu/permalink/f/1s5nto6/990026441740203941"}],"named_sources":[],"dropped_cites":[]},{"unit":"reception","kind":"reception","basis":"text","lemma":"ጤግሮስ ሙስና","severity":"caution","text":"The final line mentions 'the Tigrayan has defiled corruption' (ጤግሮስ ሙስና), possibly a local polemic or reference to historical conflict, but the exact referent is unclear.","cites":[],"named_sources":[],"dropped_cites":[]},{"unit":"scripture","kind":"scripture","basis":"text","lemma":"ከመ ዘውስተ ፀምር ቃማ","severity":"info","text":"The image of a stalk in a vine (ከመ ዘውስተ ፀምር ቃማ) echoes biblical vine imagery (e.g., Psalm 80:8-9 LXX), common in Ethiopic poetry for divine support.","cites":[],"named_sources":[],"dropped_cites":[]}],"ambiguities":["The identity of the 'Tigrayan' (ጤግሮስ) in the final line is ambiguous; it may refer to a historical figure or a generic enemy.","The phrase 'pillar of light' (ዐምደ ብርሃን) could be a specific iconographic reference or a metaphor for divine presence."],"confidence":"medium","notes":[]},{"i":2,"ref":"p2","source":"ሰላም፡ ለአዕይንቲከ፡ ምሥጢረ፡ መለኮት፡ እለ፡ ርእያ፨ ውስተ፡ መንበሩ፡ ለአብ፡ አምላከ፡ ጳውሎስ፡ ሐዋርያ፨ ተንሥአ፡ መድኅን፡ ኀቤከ፡ በቅድመ፡ ሰላማ፡ ኬንያ፨ ሰገዱ፡ ወአስተብረኩ፡ ሕዝበ፡ ደብረ፡ ዓሣ፡ ሶርያ፨ እስመ፡ አንተ፡ ለሕዝብከ፡ መድኃኒት፡ ነያ፨\n\nሰላም፡ ለአእጋሪከ፡ እለ፡ ኤላ፡ ለሕዋጼ፨ ደብረ፡ አስቦ፡ ለተጋድሎ፡ በኢልማደ፡ ሰብእ፡ ድንጋፄ፨ ምስለ፡ ሕዝቅኤል፡ ሰይፍከ፡ ወአሌፍ፡ ማኅጼ፨ በኀይለ፡ ጸሎትከ፡ አባ፡ እንተ፡ አድከምከ፡ ዐመጻ፨ ፍሬ፡ ረድኤትከ፡ ዲቤነ፡ ለይኩን፡ ሠራጼ፨\n\nሰላም፡ ለሰኳንዊከ፡ እምፍና፡ እግረ፡ ወልድ፡ እለ፡ ኢድኅፃ፨ አመ፡ ደብረ፡ ሐውዜን፡ ሖርከ፡ ታርኁ፡ አንቀጻ፨ ተንሥአ፡ መድኅን፡ በኵረ፡ ጽድቅ፡ ውሳጤ፡ ሀገርከ፡ ኆፃ፨ ደፊነከ፡ ቅዕበተ፡ ለግብጻዊ፡ ዘልማደ፡ ቤቱ፡ ዐመጻ፨ ትትካፈል፡ እምእሊአከ፡ ክፍለ፡ ርስት፡ ዕፃ፨\n\nሰላም፡ ለመቃብሪከ፡ ለደብረ፡ ዓሣ፡ ገቦሃ፨ እንተ፡ ለጉቡኣን፡ ኵልነ፡ ኮነተነ፡ ምክሐ፨ ተንሥአ፡ መድኅን፡ አቡነ፡ እንተ፡ ኖምከ፡ በውሳጤሃ፨ ዕቀበነ፡ በተኣምሪከ፡ በከመ፡ ንቤ፡ አሜሃ፨ ከመ፡ ኢይብጽሐነ፡ ሞት፡ ሀበነ፡ ንሥሓ፨","english":"Salutation to your eyes, mystery of divinity, which have seen within the throne of the Father, the God of Paul the Apostle. Tanśǝʾa Madḫǝn, to you in the land of Salama of Kenya, the people of Dabra ʿĀśā of Syria bowed and prostrated themselves, for you are salvation to your people.\n\nSalutation to your feet, which went to the desert of Aśtā for asceticism, in the manner of a man of stone. With the sword of Hezekiah and the thousand of the sanctuary, by the power of your prayer, O father, you overcame the wicked. May the fruit of your help be a lamp for us.\n\nSalutation to your shins, from the sole of the foot of the Son, which are perfect. When you went to Dabra Ḥawzēn, you counted its peaks. Tanśǝʾa Madḫǝn, firstborn of righteousness, within your country you went out. You were buried in the tomb of the Egyptian, who was accustomed to his house of wickedness. You share with him a portion of the inheritance of the tree.\n\nSalutation to your tomb, to the cave of Dabra ʿĀśā, which for us all who are buried became counsel. Tanśǝʾa Madḫǝn, our father, you who slept within it, guard us by your miracles as we said there, so that death may not reach us; give us repentance.","structure":"narrative","commentary":[{"unit":"structure","kind":"structure","basis":"text","lemma":"ሰላም ለአዕይንቲከ","severity":"info","text":"The poem proceeds through a series of salutations to parts of the saint's body, a common structure in Geʿez malkeʾ hymns. This passage salutes the eyes, feet, shins, and tomb in sequence.","cites":[{"key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"background","kind":"background","basis":"background","lemma":"ሰላማ ኬንያ","severity":"info","text":"Salama of Kenya is likely a place name associated with the saint's cult, though its precise location is uncertain. Dabra ʿĀśā is identified as being in Syria, indicating a transregional hagiographic tradition.","cites":[{"key":"dossier:ethiopic-anon-gadla-samuel-dabra-halleluya","label":"gap dossier: Life of Sāmuʾel of Dabra Hālleluyā","url":"https://naxiai.com/christian/gaps/ethiopic-anon-gadla-samuel-dabra-halleluya"}],"named_sources":[],"dropped_cites":[]},{"unit":"scripture","kind":"scripture","basis":"text","lemma":"ሰይፍከ ወአሌፍ ማኅጼ","severity":"info","text":"The sword of Hezekiah and the thousand of the sanctuary may allude to 2 Kings 19:35, where Hezekiah's prayer leads to the destruction of the Assyrian army, or to the angelic host (the thousand) in the sanctuary.","cites":[],"named_sources":[],"dropped_cites":[]},{"unit":"term","kind":"term","basis":"glossary","lemma":"ሰኳንዊከ","severity":"info","text":"The Geʿez term ሰኳንዊከ (sakwānwīka) means 'your shins' or 'your legs,' referring to the lower leg. This is a specific anatomical term used in the malkeʾ tradition.","cites":[{"key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"reception","kind":"reception","basis":"background","lemma":"ተንሥአ መድኅን","severity":"info","text":"Tanśǝʾa Madḫǝn (the Savior is risen) is a title for Christ, but here applied to a saint, reflecting a common Geʿez practice of attributing Christological epithets to holy figures.","cites":[{"key":"ed:LIT0532Malke","label":"source edition: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"caution","kind":"caution","basis":"text","lemma":"ደብረ ዓሣ ሶርያ","severity":"caution","text":"Dabra ʿĀśā is said to be in Syria, but the geography may be symbolic or legendary. The name 'ʿĀśā' (myrtle) suggests a monastic foundation, but its historical location is uncertain.","cites":[{"key":"hollis:alma990026441740203941","label":"Vie de Sāmʼuēl de Dabra Hāllēluyā","url":"https://hollis.harvard.edu/permalink/f/1s5nto6/990026441740203941"}],"named_sources":[],"dropped_cites":[]}],"ambiguities":["The identity of the Egyptian buried with the saint is unclear; the text may refer to a local tradition or a biblical figure.","The phrase 'land of Salama of Kenya' is ambiguous; it may be a corruption or a reference to a lost place name."],"confidence":"medium","notes":[]},{"i":3,"ref":"p3","source":"ሰላም፡ ለፍልሰተ፡ ሥጋከ፡ በእደ፡ ጻድቃን፡ ስድስቱ፨ እምበአትከ፡ ላዕላይ፡ ያውርዱከ፡ ኀበ፡ ታሕቱ፨ ተንሥአ፡ መድኅን፡ አቡነ፡ ለክርስቶስ፡ መጋቤ፡ ቤቱ፨ አንተኑ፡ በዓለ፡ መካልይ፡ ዐሠርቱ፨ እንተ፡ ተሠየምከ፡ በአድባር፡ ሰብዓቱ፨\n\nተንሥአ፡ መድኅን፡ ተወኪፈከ፡ ዘአወፈይኩከ፡ ዘንተ፨ አምኃ፡ ልሳንየ፡ ኃምሣ፡ ወዘይተሉ፡ ምእተ፨ ጊዜ፡ አንበበ፡ ካህን፡ ዘትሬስዮ፡ ቅጽበተ፨ ዘይፌውስ፡ ደዌ፡ ሕሙማን፡ ወዘያነሥእ፡ ምዉተ፨ ለኅጡአ፡ ምግባር፡ ገብርከ፡ ሀበኒ፡ ዕሤተ፨\n\nሰላም፡ ለመጽአትከ፡ እምግብጽ፡ ክፍለ፡ ኤፍራታ፨ ለኢትዮጵያ፡ ውስቴታ፨ ተንሥአ፡ መድኅን፡ አቡነ፡ በረከተ፡ ኤልያስ፡ ዘሰራጵታ፨ ሰውረነ፡ ለደቂቅከ፡ አመ፡ ይከውን፡ ሐተታ፨ ወአመ፡ ታገብእ፡ ምድር፡ ዘነሥአት፡ ማሕፀንታ፨\n\nሰላም፡ ለከ፡ ተንሥአ፡ መድኅን፡ ምሉአ፡ በረከት፡ ወሣህል፨ ከመ፡ ሐዋርያ፡ ዘጽድቅ፡ ማርይቆስ፡ ኀያል፨ በጸሎትከ፡ ኲናት፡ ወዘሰይፍከ፡ ወንጌል፨ ሰዐርከ፡ በኀይልከ፡ ጋኔነ፡ ዐመጻ፡ ወቀትል፨ ዘለዘርአ፡ ብእሲ፡ አቀመ፡ መስገርቶ፡ ለሐጕል፨","english":"Salutation to the descent of your flesh into the hands of the six righteous ones. From your coming above they bring you down to below. Tanśǝʾa Madḫǝn, our father, steward of the house of Christ, you are the lord of the ten festivals, you who were appointed in the seven mountains.\n\nTanśǝʾa Madḫǝn, I have offered you this: the five tongues of my mouth and the hundred that follow. When the priest recites the Trisagion at the moment, which heals the sickness of the sick and raises the dead, give me a gift for the work of your servant, the sinner.\n\nSalutation to your arrival from Egypt, the portion of Ephrata, into Ethiopia within. Tanśǝʾa Madḫǝn, our father, blessing of Elijah of Sarepta, hide us for your children when judgment occurs, and when the earth swallows what it has taken from the womb.\n\nSalutation to you, Tanśǝʾa Madḫǝn, full of blessing and mercy, like the apostle of righteousness, Mark the mighty. By your prayer, the lance, and by your sword, the Gospel, you have vanquished with your power the demon of rebellion and murder, who set up the throne of the wicked for the seed of man.","structure":"narrative","commentary":[{"unit":"structure","kind":"structure","basis":"text","lemma":"ሰላም፡ ለፍልሰተ፡ ሥጋከ፡","severity":"info","text":"The passage opens with a salutation to the descent of the flesh, a motif that continues the series of bodily salutations from the previous passage, marking a shift from the eyes and feet to the flesh.","cites":[{"key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"term","kind":"term","basis":"glossary","lemma":"ተንሥአ፡ መድኅን፡","severity":"info","text":"Tanśǝʾa Madḫǝn, meaning 'Resurrection of the Savior,' is a title for Christ, here also used as a proper name for the subject of the poem, likely a saint or a local manifestation of Christ.","cites":[{"key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"scripture","kind":"scripture","basis":"text","lemma":"ዘትሬስዮ፡ ቅጽበተ፨","severity":"info","text":"The reference to the Trisagion (ትሬስዮ) evokes the liturgical hymn 'Holy, Holy, Holy,' derived from Isaiah 6:3 and used in the Ethiopian Anaphora, linking the poem to Eucharistic practice.","cites":[{"key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"background","kind":"background","basis":"text","lemma":"እምግብጽ፡ ክፍለ፡ ኤፍራታ፨","severity":"info","text":"The mention of Egypt and Ephrata (Bethlehem) situates the saint's journey from Egypt to Ethiopia, reflecting the traditional route of Ethiopian monasticism and the veneration of Egyptian desert fathers.","cites":[{"key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"reception","kind":"reception","basis":"text","lemma":"ማርይቆስ፡","severity":"info","text":"The comparison to Mark the Evangelist, apostle of righteousness, aligns the saint with the evangelist's role in spreading Christianity, possibly reflecting the poem's use in a community that venerates Mark as a founder figure.","cites":[{"key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]},{"unit":"caution","kind":"caution","basis":"text","lemma":"ሰዐርከ፡ በኀይልከ፡ ጋኔነ፡ ዐመጻ፡ ወቀትል፨","severity":"caution","text":"The phrase 'vanquished the demon of rebellion and murder' may be a metaphorical reference to spiritual or political adversaries, but the text does not specify a historical event, leaving the interpretation open.","cites":[{"key":"betmas:LIT0532Malke","label":"betmas: Image of Tanśǝʾa Madḫǝn of Dabra ʿĀśā","url":"https://betamasaheft.eu/LIT0532Malke"}],"named_sources":[],"dropped_cites":[]}],"ambiguities":["The identity of Tanśǝʾa Madḫǝn as a saint or a title for Christ is ambiguous; the poem may blend both. The 'six righteous ones' and 'seven mountains' are not explicitly identified in the text, leaving their symbolic or historical referents unclear."],"confidence":"medium","notes":[]}]}