Work dossier · summary and historical context
This treatise argues for both the Trinity and the unity of God, using scriptural citations to defend against Arian and Sabellian positions. Its register is doctrinal and polemical, typical of late fourth- or early fifth-century Latin anti-heretical writing. The work is transmitted among Augustine's spuria; its ascription to Augustine is not supported by early manuscript evidence or by ancient lists of his works. It appears first in medieval collections of pseudo-Augustinian tracts. The present edition reproduces a single printed source without collation of manuscripts, so the critical status of the text is unknown. The work's brevity and lack of distinctive Augustinian style raise doubts about authenticity.
The treatise illustrates the medieval reception of Augustine as an authority on Trinitarian doctrine, even for works not genuinely his. It shows how later authors used scriptural exegesis to combat Arian and Sabellian views, and its citation by Peter Lombard helped shape scholastic Trinitarian theology. The work also highlights the challenges of authenticating patristic texts.
The treatise is undated and of unknown provenance, but its theological vocabulary (substantia, persona) and anti-Arian and anti-Sabellian polemic place it within the late fourth- to early fifth-century Latin Trinitarian debates. It survives only in medieval manuscripts that attribute it to Augustine, but no early witness or ancient list of Augustine's works includes it. The work first appears in pseudo-Augustinian collections, and medieval authors such as Peter Lombard cited it as Augustine's, contributing to its long inclusion in the Augustinian corpus. The text's brevity and lack of distinctive Augustinian style (e.g., no vestigium Trinitatis or psychological analogy) suggest it is a later composition by an unknown author. The present edition (ogl-pl) reproduces a single printed source without collation of manuscripts, so the critical status of the text is unknown.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||