Work dossier · summary and historical context
The Lamentations of Jeremiah, attributed to Jerome, is a Latin verse paraphrase of the biblical Lamentations. It closely follows the Vulgate text but expands it with rhetorical and exegetical commentary. The work survives in numerous medieval manuscripts, often grouped with Jerome's other biblical paraphrases, and was used in medieval liturgy and exegesis, particularly during Holy Week, as a poetic meditation on the destruction of Jerusalem. The attribution to Jerome, while traditional, is not universally accepted by modern scholars, who note stylistic and theological differences from his known works. This edition (ogl-pl) lacks a critical apparatus and is based on a single manuscript source.
This paraphrase is significant as a witness to late antique and medieval reception of the biblical Lamentations, blending translation, exegesis, and poetry. It influenced medieval liturgy and commentary, particularly through its threefold exegesis (historical, spiritual, moral) and its interpretation of the acrostic letters. The work also raises questions about Jerome's authorship and the transmission of biblical paraphrases in the Latin tradition.
The work is traditionally dated to the late 4th or early 5th century, during Jerome's period of intense biblical translation and commentary in Bethlehem. It was composed in Latin, likely for a monastic or scholarly community familiar with the Vulgate. The text survives in numerous medieval manuscripts, often grouped with Jerome's other biblical paraphrases, indicating its use in liturgical and exegetical contexts, especially during Holy Week. The attribution to Jerome is consistent in the manuscript tradition, but modern scholars have questioned it due to stylistic and theological differences. The work reflects the patristic practice of versifying biblical books for meditation and instruction, and it engages with the Septuagint title 'Threnoi' and the acrostic structure of the Hebrew original.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
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| no glossary terms recorded | |||