Work dossier · summary and historical context
The Homilia In Laudem Ecclesiae, attributed to Leander of Seville (c. 540–600/601), is a panegyric homily celebrating the Church through allegorical and typological exegesis typical of the early medieval Hispanic tradition. It survives in a single manuscript tradition within the Mozarabic rite, later included in the Mozarabic breviary. The homily employs financial metaphors and scriptural citations, including variants from the Vetus Latina, to depict the Church as a pure lily among thorns (heresies) and as a virtuous woman enriched through persecution. Its attribution to Leander is traditional but disputed; some scholars propose a later composition. The text lacks a critical edition, and its precise date remains uncertain, though it likely belongs to the late 6th century.
The homily is a rare witness to early Hispanic ecclesiology and liturgical practice, showcasing allegorical interpretation and financial metaphors that link the Church's spiritual mission to earthly wealth. Its influence on Isidore of Seville's writings underscores its importance in Visigothic intellectual history. The disputed authorship highlights challenges in attributing Mozarabic texts, making it a key case for studying textual transmission and pseudepigraphy in early medieval Iberia.
The homily is rooted in the Visigothic Kingdom of Hispania during the late 6th century, a period of religious consolidation under Catholic orthodoxy following the conversion of King Reccared I (587). Leander of Seville, bishop and brother of Isidore, was a key figure in the Third Council of Toledo (589) and in promoting liturgical uniformity. The homily reflects the Hispanic liturgical tradition, likely composed for a feast or dedication, and was preserved in the Mozarabic rite after the Islamic conquest. Its transmission is limited to a single manuscript line, with no critical edition available. The text's use of Vetus Latina variants and typological exegesis aligns with patristic methods, but its attribution to Leander is not universally accepted; some scholars argue it may be a later composition from the 7th or 8th century, possibly influenced by Isidore's ecclesiology.
Apparatus · what the pipeline recorded
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