Work dossier · summary and historical context
The Apologia secunda of Justin Martyr is a short apologetic work likely composed around 155–160 CE, during the reign of Antoninus Pius. It survives only in a single 14th-century Greek manuscript (Paris. gr. 450) and later copies. The text defends Christians against persecution, attributing hostility to malevolent demons and appealing to shared humanity. Its division from the First Apology is not original; some scholars consider it a fragment or appendix. The work was first clearly cited by Eusebius of Caesarea in his Historia ecclesiastica, who treats it as a continuation of the First Apology. The edition lacks a full apparatus of textual variants.
The Apologia secunda is a key witness to second-century Christian apologetics, illustrating how Justin Martyr adapted Greek philosophical concepts to defend Christianity. Its fragmentary survival and disputed textual identity highlight the challenges of reconstructing early Christian literature. The work also provides evidence for the persecution of Christians under Antoninus Pius and the use of demonology in early Christian polemic.
The Apologia secunda was composed in Rome around 155–160 CE, during the reign of Antoninus Pius (138–161 CE). The dating relies on internal references to the urban prefect Urbicus, who held office ca. 144–160 CE. The work is addressed to the Roman Senate and people, continuing the apologetic strategy of the First Apology. Justin, a Greek-speaking Christian philosopher, wrote in Greek, the language of educated discourse in the Roman Empire. The text survives in a single 14th-century manuscript (Paris. gr. 450) and later copies derived from it. Its transmission is fragmentary; the division between the First and Second Apologies is a later editorial construct, and the work may have originally circulated as part of a larger apology. Early Christian reception is sparse; Eusebius of Caesarea (Hist. eccl. 4.16–17) is the first to cite it as a distinct work. The text reflects Middle Platonic demonology, attributing persecution to evil demons, and employs rhetorical appeals to shared humanity.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
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| no glossary terms recorded | |||