Work dossier · summary and historical context
The Carmen de Pascha is a Latin poem in elegiac couplets, traditionally attributed to Lactantius (c. 240–320 CE). It blends classical epic diction with biblical paraphrase, focusing on the paschal mystery and drawing typological readings from Exodus. The work likely dates from the Diocletianic persecution or shortly after, given its martyrological themes. It survives in a single manuscript tradition with significant lacunae, and its text is reconstructed from later copies, introducing uncertainty. The poem was not widely cited in medieval liturgy or exegesis but influenced later Paschal poetry. Attribution to Lactantius is debated, with some scholars assigning it to an anonymous imitator based on stylistic divergences from his prose.
The Carmen de Pascha is significant as an early example of Latin Christian poetry that adapts classical forms to biblical themes. Its typological reading of Exodus influenced later Paschal poetry, and it provides insight into the literary and theological responses to persecution in the early fourth century. The work also illustrates the ongoing debate over authorship in late antique Christian literature.
The Carmen de Pascha is attributed to Lactantius, a Latin Christian author who lived c. 240–320 CE and served as a rhetorical teacher under Diocletian. The poem was likely composed during or shortly after the Diocletianic persecution (303–313 CE), as its martyrological themes reflect that context. The work is written in elegiac couplets, a classical meter adapted for Christian content, and employs epic diction and biblical paraphrase. It survives in a single manuscript tradition with significant lacunae, and the text is reconstructed from later copies, introducing uncertainty. The poem was not widely cited in medieval liturgy or exegesis, but its typological reading of Exodus influenced later Paschal poetry. The attribution to Lactantius is debated; some scholars assign the poem to an anonymous imitator based on stylistic divergences from his prose works.
Apparatus · what the pipeline recorded
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