Work dossier · summary and historical context
De Evangelio is a Latin treatise attributed to Hilary of Poitiers but now considered pseudepigraphal, likely composed in the 5th or 6th century. The sole surviving witness is a 9th-century manuscript from Corbie, with no earlier exemplar known. The work's theology and style differ from Hilary's authentic writings, and its original title and context remain uncertain. It was not cited by medieval commentators and had negligible influence until modern critical editions. The text uses Christological metaphors such as 'flos' (flower) and references the virgin birth and Star of Bethlehem, echoing themes from the Song of Songs and Marian typology. Its genre is a treatise, and its transmission is limited to a single Carolingian copy.
De Evangelio is significant as a witness to late antique or early medieval Latin Christological poetry, transmitted only through a single Carolingian manuscript. Its pseudepigraphal attribution to Hilary of Poitiers illustrates the fluidity of authorial ascription in medieval manuscript culture. The work's neglect until modern editions highlights the selective survival of early Christian texts and the role of Carolingian scriptoria in preserving obscure works.
The work survives in a single 9th-century manuscript likely copied at the Benedictine monastery of Corbie in northern Francia. No earlier exemplar is known, making reconstruction of the original text conjectural. The attribution to Hilary of Poitiers (c. 300–368) appears in some medieval lists, but internal evidence—theology and style—points to a later author, possibly from the 5th or 6th century. The treatise was not cited by any major medieval commentator and appears in no known liturgical reading cycle, suggesting limited circulation. The incipit and explicit are editorial constructs based on the manuscript's layout, and the original title is unknown. The text's Christological imagery, including 'flos' and the 'star of the high divinity,' aligns with Latin patristic poetry and doctrines affirmed at the Council of Ephesus (431), such as Mary as Theotokos. The serpent trembling at Christ's birth is a poetic expansion of Genesis 3 and patristic tradition.
Apparatus · what the pipeline recorded
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