Work dossier · summary and historical context
Faustus of Riez's De Gratia (On Grace), written circa 473–480, is a Latin treatise defending a synergistic view of grace and free will against strict predestinarianism. Composed in a rhetorical, polemical register, it responds to the monk Lucidus and draws heavily on scripture and patristic authorities. The work survives in a single medieval manuscript with lacunae in the second book and was condemned at the Second Council of Orange (529) for its semi-Pelagian tendencies, yet continued to be copied in monastic circles.
De Gratia is a central document in the semi-Pelagian controversy, illustrating the theological conflicts in late antique Gaul. It was later criticized by Caesarius of Arles and the Council of Orange (529), which shaped Western doctrines of grace. The work's survival and continued copying in monastic settings highlight its enduring influence despite official condemnation.
Faustus of Riez, a key figure in the semi-Pelagian controversy, wrote De Gratia in Gaul around 473–480, during a period of theological debate following the Council of Arles (c. 473). The treatise addresses the monk Lucidus, who advocated a deterministic view of grace, which Faustus linked to pagan fate and Manichaeism. The work was later condemned at the Second Council of Orange (529) for its Pelagianizing tendencies, but it survived in a single manuscript (now at the Bibliothèque nationale de France) with lacunae in the second book. A lost manuscript from Corbie may have contained variant readings. The text was copied and read in monastic circles despite its condemnation, reflecting ongoing tensions in Gallic Christianity over grace and free will.
Apparatus · what the pipeline recorded
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