Latin · Other ·
Ennodius, Magnus Felix · ogl-csel
Work dossier · summary and historical context
The Petitorium quo Absolutus est Gerontius Puer Agapiti is a late antique Latin petition composed by Magnus Felix Ennodius, a deacon in Milan (c. 500–513). The document secures the legal manumission of Gerontius, a slave boy (puer) belonging to Agapitus, by appealing to a high ecclesiastical authority, likely the bishop of Rome. It employs late Roman legal terminology (e.g., absolutus, patria potestas) and Christian rhetorical topoi, framing the act of freeing a slave within a divine and moral context. The text survives only within the manuscript tradition of Ennodius’ collected works, chiefly the ninth-century Paris. lat. 2772 and its derivatives, with no independent circulation. It is rarely cited in later canon law and was not excerpted in major medieval collections like the Decretum Gratiani.
The Petitorium provides rare insight into late antique ecclesiastical manumission practices, illustrating how bishops mediated the freeing of slaves through formal petitions. It exemplifies the blending of Roman legal forms with Christian rhetoric, a hallmark of Ennodius’ work. The text also contributes to understanding the social and legal status of household slaves (pueri) in 6th-century Italy and the role of the church in reshaping Roman law.
The Petitorium was composed by Magnus Felix Ennodius (c. 473–521), a deacon in Milan during the Ostrogothic rule of Theoderic the Great. The text belongs to the period c. 500–513, when Ennodius produced legal documents for ecclesiastical use. It reflects late Roman legal practice, particularly the manumission of slaves through ecclesiastical petition, a process that gained prominence in the 5th–6th centuries as bishops assumed roles as protectors of the poor and enslaved. The work survives only in the manuscript tradition of Ennodius’ collected works, chiefly the ninth-century codex Paris. lat. 2772 and its derivatives, indicating no independent circulation. It was first printed in early modern editions (e.g., Sirmond 1611) but was not incorporated into medieval canonical collections such as the Decretum Gratiani. The legal terminology (e.g., absolutus, patria potestas) reflects late Roman, not classical, jurisprudence, and the rhetorical structure may obscure its actual juridical force.
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