Work dossier · summary and historical context
The Carmina of Pope Damasus I (pope 366–384) are a collection of Latin epigrams celebrating biblical figures and Roman martyrs. Composed during his pontificate, they survive only in later manuscripts and epigraphic copies, with the earliest witnesses dating to the 6th–7th centuries. The poems blend scriptural paraphrase with self-referential claims of papal authority, and they were widely transmitted in medieval liturgical and martyrological collections. This edition, based on the ogl-pl source, lacks a critical apparatus; for manuscript stemmatics, Ferrua’s edition is recommended. The first poem, 'In laudem Davidis,' recounts David’s anointing and victory over Goliath, alluding to 1 Samuel 16–17, and ends with Damasus asserting his own role as poet and pontiff.
Damasus’s Carmina are pivotal for understanding the development of Christian Latin poetry and the self-fashioning of papal authority in late antiquity. They influenced later epigraphic traditions, hymnody, and the cult of the martyrs. The poems also provide insight into the scriptural exegesis and theological self-understanding of the 4th-century Roman Church, linking biblical typology with contemporary ecclesiastical claims.
Damasus I served as bishop of Rome from 366 to 384, a period marked by theological controversies (e.g., Arianism) and the consolidation of papal authority. His epigrams were likely composed for public display, often inscribed on martyr shrines in Roman catacombs. The poems survive not in autograph but in late antique and medieval syllogae (collections) and as inscriptions, with the earliest manuscript witnesses dating to the 6th–7th centuries. The language is Latin, reflecting the liturgical and administrative language of the Western Church. The genre—Christian epigrammatic poetry—draws on classical models but adapts them for hagiographic and biblical themes. Transmission was primarily through monastic and cathedral libraries, where the poems were copied for liturgical use and as models for later Christian epigraphy. The precise dating of individual poems is rarely possible, but the collection as a whole belongs to the late 4th century.
Apparatus · what the pipeline recorded
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