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Latin · Poetry ·

Carmina Inedita

SS Damasus I · ogl-pl

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machine-draft · no human review 4 passages · 840 words

Work dossier · summary and historical context

Summary

The Carmina Inedita are a collection of Latin poems attributed to Pope Damasus I (r. 366–384), composed in quantitative dactylic hexameter, the standard meter for late antique Christian poetry. They survive only in early modern manuscript copies, with no contemporary epigraphic or codex witness. The poems were not included in medieval collections of Damasian epigrams and had limited circulation until modern editions. Attribution rests on manuscript ascription and stylistic similarity to authenticated epigrams, but external confirmation is absent. The edition lacks a critical apparatus or stemma, and textual variants among surviving witnesses are not recorded.

The Carmina Inedita are significant as potential additions to the corpus of Damasian poetry, offering insight into late antique Christian literary culture and the development of Latin hymnody. They relate to the broader tradition of Damasus's authenticated epigrams and to the revival of classical meter for Christian themes. Their uncertain transmission and attribution highlight the challenges of reconstructing early Christian poetic corpora.

Historical context

The poems are conventionally assigned to the pontificate of Damasus I (366–384), a period when the Roman church was consolidating its authority and promoting the cult of martyrs. Damasus was a prolific composer of epigrams for Roman martyrs' tombs, often inscribed in monumental settings. The Carmina Inedita, however, survive only in early modern manuscript copies, with no contemporary epigraphic or codex witness. Their transmission is obscure: they were not included in standard medieval collections and had limited circulation until modern editions. The earliest known references come from Cardinal Caesar Baronius (16th c.), who noted that many of Damasus's poems had perished. The poems were later collected from Palatine manuscripts by Martius Milezius Sarazanius and published by Federicus Ubaldinus. The lack of a critical apparatus or stemma in the edition means textual variants among the few surviving witnesses are not recorded, and the precise date and place of composition remain uncertain.

Apparatus · what the pipeline recorded

Annotation and terms

20 commentary units 5 reception4 caution3 background3 transmission2 structure2 scripture1 term 0 derived notes 7 open questions 4 narrative
What the kinds mean

Pipeline notes

  • coverageNo English translation could be identified: a language model asked twice could not name one, though it could not rule one out either. That is not proof that none exists — translations in dissertations, recent books and other modern languages are easily missed.
  • limitThe English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve.
  • registerRegister: poetry in Latin; the English keeps the liturgical formulae and the vocatives rather than normalising them.
  • structurePassages: 4 narrative.
  • sourceSource edition: ogl-pl — Available under a Creative Commons Attribution-ShareAlike 4.0 International License

Term index

CopticRenderingCountFirst
no glossary terms recorded
stoa0105.stoa003.opp-lat1:1 · narrativehigh
Source
CARMINA INEDITA. (Ex Anecdot. sac. D. de Levis, pag. 17, 20.) OBSERVATIO. Certum indubitatumque est primum omnium scriptorum, qui notavit complura ex Damasi carminibus intercidisse, et quidem potiora, fuisse eminentissimum cardinalem Baronium ad annum 384, § et 31. Et quamquam Martius Milezius Sarazanius vulgatis Palatinis membranis a Grutero opera collegerit, primusque illustraverit, quae absoluta anno Federicus Ubaldinus typis edidit: hoc tamen cum Baronio in novissima sua S. Damasi operum editione aucta, atque adjectis opusculis eidem beatissimo papae falso attributis vulgata Romae 1754, et clariss. Antonius Maria Mereuda de carminibus loquens cum S. Hieronymo, Catalogo de Viris illustribus cap. 3, simili modo concluserunt, Nam ex S. Hieronymo edocemur, in versibus componendis ingenium habuit, atque multa brevia edidit, quae omnia non habere fatentur. Cum igitur mihi ad manus devenerit codex membranaceus bibliothecae Novaliciensis, signatus A. B., saeculo forsan IX vel X conscriptus, continens Epistolas B. Pauli Apostoli cum praefationibus B. Hieronymi, carmina nonnulla in principio D. Damaso inscripta reperi, inter quae aderant ista; ne autem haec, quae mature cum editione operum S. Damasi, tum Merendae, tum clarissimi Gallanda tom. VI Biblioth. PP. N. V.
English
UNEDITED POEMS. (From the Sacred Anecdotes of D. de Levis, pp. 17, 20.) OBSERVATION. It is certain and beyond doubt that the very first of all writers who noted that many of Damasus’s poems had perished, and indeed the better ones, was the most eminent Cardinal Baronius, in his entry for the year 384, sections 31 and following. And although Martius Milezius Sarazanius collected from the Palatine manuscripts published by Gruter, and was the first to illustrate those which Federicus Ubaldinus later published in complete form, nevertheless, in his most recent edition of the works of Saint Damasus, enlarged and with the addition of opuscula falsely attributed to the same most blessed pope, published at Rome in 1754, and the most distinguished Antonius Maria Mereuda, speaking of the poems with Saint Jerome in the Catalogue of Illustrious Men, chapter 3, concluded in a similar manner. For we learn from Saint Jerome that he had talent in composing verses and published many short works, which they admit they do not possess in their entirety. Since, therefore, a parchment codex of the library of Novalesa, marked A. B., perhaps written in the ninth or tenth century, containing the Epistles of the Blessed Apostle Paul with the prefaces of Blessed Jerome, has come into my hands, I found at the beginning some poems inscribed to the Lord Damasus, among which were these. But these, however, are not found in the edition of the works of Saint Damasus, nor in those of Merenda, nor of the most distinguished Galland, volume VI of the Library of the Fathers, N. V.
stoa0105.stoa003.opp-lat1:2 · narrativemedium
Source
perpensa fuere, inedita, et stylo simillima, deperderentur, edi curavimus, ut gratum cupidis rei ecclesiastica faceremus, ut quisque possit haec, quae lucidamus perpendere cum editis: pauca adnotare contenti fuimus. Etsi hac carmina pluribus scateant mendis in veteribus codicibus, tamen haec emendare non duxi, ut genuina appareat horum vetustas. CARMEN I. In Epistolas D. Pauli apostoli. Sunt hic plura sacra, sunt hic mundalia plura; Ex his, si quae placent, carmina tolle, lege. Prata vides plena spinis, et copia florum; Si vis tu spinas sumere, sume rosas. Hic geminae radiant veneranda volumina legis, Condita sunt pariter hic nova cum veteri. CARMEN II. In laudem B. Pauli apostoli. Saulus erat a quondam cognomen rite tenendo, Nam velut emerito dogmata vera premit. Quis tandem penitus traductus lumine vero, Paulus ut emeruit, nomine dignus erat? Lumine privatus mentis, jam sacra vetabat; Visum dum recipit, deserit omne nefas. Gentibus hic tradit vera praecepta magistri, Convocat et cunctos dogmate mellifluo. Cordibus obtunsis reserat arcana beata, Quae tandem tenebris fulgure plena parat. Solis more micat radios spargendo per orbem, Lucet et in cunctis clarius eloquiis. Alta petit raptus coelestia verba secutus Quae minus humano ore referre licet. Fluctibus obruitur pro Christi nomine mersus, Caeditur innocuus verbere multiplici.
English
were considered, unpublished, and very similar in style, would be lost, we have taken care to publish them, so as to gratify those eager for ecclesiastical matters, and so that each person may compare these, which we bring to light, with the published ones: we have been content to note a few things. Although these poems teem with many errors in the old manuscripts, I have not chosen to correct them, so that their antiquity may appear genuine. POEM I. On the Epistles of the Apostle St. Paul. Here are many sacred things, here are many worldly things; From these, if any please you, take the poems, read them. You see meadows full of thorns, and an abundance of flowers; If you wish to take the thorns, take the roses. Here the twin venerable volumes of the law shine forth, The new and the old are stored here together. POEM II. In Praise of the Blessed Apostle Paul. Saul was once a surname rightly held, For as an emeritus he presses true teachings. Who, finally, thoroughly led by the true light, Was worthy of the name Paul, as he deserved? Deprived of the light of the mind, he once forbade sacred things; When he recovers his sight, he abandons all wrongdoing. He hands down to the Gentiles the true teachings of the master, And summons all with honey-sweet doctrine. He unlocks blessed secrets for dull hearts, Which he prepares, full of radiance, for the darkness at last. He shines like the sun, scattering rays throughout the world, And gleams more clearly in all his words. He seeks the heights, rapt, following celestial words, Which it is scarcely permitted to utter with a human mouth. He is overwhelmed by waves, submerged for the name of Christ, He is struck, innocent, with manifold blows.
stoa0105.stoa003.opp-lat1:3 · narrativemedium
Source
Haec patitur Christi per carnem e stigmata portans Victor, et ascendit culmina clara poli. Si tu quique legas perquiras jusserat esse Ista quis expedient prospice quae remanent. At te colens cultu per thus haerebit in aula Teter ubi nunquam zabulus esse valet. Tutus erat pulsus de summo culmine firmanti Eligimur sociis gratis honorifice. Pasqua lanigerii florent sine limine morea Ecce quies dubito non ibi plena fore. Rumor celsus erit regno cum nos gradiamur; Terror erit lapsis, ut bonus alta petit. Volvere quis poterit coelorum praemia dicta? Salve, chare Pater, accipe quodque petis. CARMEN III. De poena Redemptoris. Poena Redemptoris fuit haec via plena doloris: Sputa, flagella, foris, crux, spongia furoris. Impetus horroris, et myrra saporis, Spinae terroris, fel, clavi, palor, et doloris Clamor, moeroris aequa, lancea, gutta cruoris: Cor peccatoris frangit pia signa amoris.
English
This the Victor suffers, bearing through the flesh the marks of Christ, and he ascends the bright heights of heaven. If you, whoever you are, read and inquire, what he had ordered to be, look to what remains, which will be expedient. And you, worshipping him with incense, will cleave to the court where the foul one, the devil, can never be. Safe was he, cast down from the highest summit of the firmament; we choose companions freely and honorably. The Easter of the wool-bearers flourishes without threshold, the morea; behold, I doubt that rest there is full. A high rumor will be in the kingdom when we proceed; terror will be for the fallen, as the good man seeks the heights. Who will be able to recount the promised rewards of the heavens? Hail, dear Father, receive what you seek. CARMEN III. On the Punishment of the Redeemer. The punishment of the Redeemer was this way full of sorrow: Spittle, scourges, the bore, the cross, the sponge of fury. The onset of horror, and myrrh of flavor, thorns of terror, gall, nails, paleness, and of sorrow the cry, the equal of grief, the lance, the drop of blood: The heart of the sinner the pious signs of love break.
stoa0105.stoa003.opp-lat1:4 · narrativehigh
Source
Nota. Hoc erutum fuit ex codice nostro cartaceo in quarto, ut communiter dicitur, signato I. N. 1000, in quo adsunt Meditationes B. Bernardi abbatis de passione Christi super septem horis canonicis saeculo XIV conscripto. Consulant eruditi carmen VI. de cognomentis Salvatoris pag. apud Gallandium superius laudatum..
English
Note. This was extracted from our paper manuscript in quarto, as it is commonly called, marked I. N. 1000, in which are present the Meditations of the blessed Bernard, abbot, on the passion of Christ according to the seven canonical hours, written in the fourteenth century. Let the learned consult poem VI on the titles of the Savior, page in Gallandius cited above.
Citation. Tergwame, “Carmina Inedita”, stoa0105.stoa003.opp-lat1:1, machine-draft, 2026. https://naxiai.com/christian/works/stoa0105.stoa003.opp-lat1#s1
Colophon. Source: ogl-pl · licence: Available under a Creative Commons Attribution-ShareAlike 4.0 International License · model: deepseek/deepseek-v4-flash:floor · provider: Relace · cost: $0.0023 · generated 2026-11-15.