Work dossier · summary and historical context
The Carmina of Pseudo-Cyprian are a set of late antique Latin poems falsely attributed to Cyprian of Carthage. Composed in metrical form, they likely date from the 4th or 5th century CE, after the Constantinian settlement. Their theology is more allegorical and less juridical than Cyprian's genuine works, and they circulated in a limited number of Carolingian-era manuscripts, primarily in monastic libraries. The poems were included in some medieval collections of Cyprian's writings, influencing later ascetic and penitential literature. This edition (ogl-csel) presents the transmitted text without resolving the authorship question, and readers should not assume the Carmina reflect Cyprian's authentic thought.
The Carmina illustrate the development of Christian Latin poetry and the use of pseudepigraphy to authorize new works. They show how late antique Christians adapted classical poetic forms for biblical themes, influencing medieval monastic literature. Their inclusion in Cyprianic collections highlights the fluidity of authorship in manuscript transmission.
The Carmina were composed in Latin, likely in the western Roman Empire, between 350 and 450 CE. This period saw the rise of Christian Latin poetry, with authors like Prudentius and Sedulius blending classical forms with biblical themes. The poems' metrical style and doctrinal concerns—such as allegorical interpretations of creation—reflect post-Constantinian Christianity, when the church was consolidating its identity and engaging with classical culture. The false attribution to Cyprian of Carthage (d. 258) suggests a desire to lend authority to the poems, as Cyprian was a revered martyr and bishop. The Carmina survive in a handful of Carolingian manuscripts, indicating limited but persistent circulation in monastic scriptoria. They were sometimes included in collections of Cyprian's works, contributing to their influence on later ascetic and penitential traditions. The poems' theology, more allegorical than Cyprian's juridical style, aligns with the biblical epic tradition of late antiquity.
Apparatus · what the pipeline recorded
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