Work dossier · summary and historical context
The Tractatus De Oratione Et Eleemosyna (Treatise on Prayer and Almsgiving) is a Latin homily transmitted under Augustine's name but widely regarded as inauthentic since the Maurist edition. It survives only in manuscript collections of Augustine's sermons, with no external evidence to date it securely. Stylistic features—vocabulary, rhythm, and generic orthodox doctrine—suggest a later, possibly post-Augustinian origin within the North African tradition. The work was included in medieval florilegia on prayer and almsgiving but never attained the authority of Augustine's genuine writings. The present edition relies on the Maurist print, which may normalize scribal variants, and does not collate the full manuscript tradition.
The treatise illustrates the medieval reception of Augustine's authority and the fluidity of the Augustinian corpus. It reflects the enduring importance of prayer and almsgiving as Christian practices, and its inclusion in florilegia shows how later communities used such texts for moral and liturgical instruction. Its disputed authenticity highlights the challenges of attributing works in the patristic tradition.
The treatise cannot be securely dated or placed. It survives only in manuscript collections of Augustine's sermons, and its authenticity has been doubted since the Maurist edition (17th century). No external evidence provides a date; stylistic features—vocabulary, rhythm, and generic orthodox doctrine—suggest a later, possibly post-Augustinian origin within the North African tradition. The work was included in medieval florilegia on prayer and almsgiving, indicating it circulated in monastic and scholastic contexts, but it never attained the authority of Augustine's genuine works. The Latin shows vocabulary and rhythm atypical of Augustine's authentic sermons, and the doctrinal content is orthodox but generic. The present edition does not collate the full manuscript tradition; the text is based on the Maurist print, which may normalize scribal variants. The opening note refers to the codex Urbinas and to Jérôme Vignier's edition from a Royal codex, indicating the treatise's textual history is uncertain.
Apparatus · what the pipeline recorded
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