Work dossier · summary and historical context
The Sermo de Rusticiano subdiacono is a Latin homily attributed to Augustine of Hippo, surviving in a single manuscript tradition. The title links the sermon to a subdeacon named Rusticianus, possibly the addressee or scribe. The dating is uncertain, with no external evidence confirming a specific year or occasion. The sermon is not included in standard liturgical collections and had limited circulation, likely due to its occasional nature. The edition lacks a critical apparatus and is based on a single source without collation of other manuscripts. The text may reflect editorial interventions from a printed edition rather than the original manuscript tradition.
The sermon is significant as a rare example of a funeral homily for a subdeacon, offering insight into late ancient or early medieval clerical commemoration. Its attribution to Augustine, though uncertain, places it within the broader Augustinian corpus and highlights the challenges of authenticating works from single manuscript traditions. The text's limited circulation and editorial history underscore the complexities of transmitting occasional sermons.
The sermon is attributed to Augustine (354–430 CE) on stylistic grounds, but its precise date, place, and community of origin remain unknown. It survives in a single manuscript tradition, suggesting limited circulation, possibly due to its occasional nature as a funeral sermon for a subdeacon named Rusticianus. The clerical rank of subdeacon places the work within the hierarchical structure of the late ancient or early medieval church. The text was edited by Jerome Vignier from a manuscript at Cella and published in 1654, with the present edition relying on a printed text with corrected orthography. The lack of a critical apparatus and collation with other manuscripts means the wording may reflect editorial interventions. The sermon's reference to Jesus weeping at Lazarus's tomb (John 11:35) and the bystanders' remark 'See how he loved him!' (John 11:36) suggests a funeral context, with the preacher's threefold attempt to speak overcome by tears as a rhetorical device.
Apparatus · what the pipeline recorded
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