Work dossier · summary and historical context
The Psalterium attributed to Augustine is a liturgical psalter, not a commentary or homily, used in monastic and cathedral offices, especially in the Gallican and Roman rites. Surviving in numerous medieval manuscripts, often within breviaries or psalter-hymnals, it is a later compilation likely from the 9th–12th century, falsely attributed to Augustine to enhance authority. The text includes psalm numbering and antiphons, with variants across witnesses. It was never officially adopted by the Council of Trent. The present edition does not collate all known manuscript sources, and scribal errors, such as 'meditntur' for 'meditatur', indicate textual corruption. The work reflects medieval penitential and devotional practices, with imagery of hellish torments and the devil as the 'most ancient enemy'.
The Psalterium attributed to Augustine exemplifies the medieval practice of pseudepigraphy and the liturgical use of psalters in Western Christianity. It reflects the evolution of monastic and cathedral offices, particularly the Gallican and Roman rites, and the persistence of patristic themes in medieval devotion. Its textual corruption and manuscript variants highlight challenges in reconstructing liturgical traditions. The work's attribution to Augustine, though false, underscores his enduring authority in medieval religious culture.
The Psalterium [Incertus] — Augustinus is a liturgical psalter of uncertain date, likely compiled between the 9th and 12th centuries in Latin Christendom. It was used in monastic and cathedral offices, particularly within the Gallican and Roman rites, but never gained official Tridentine approval. The attribution to Augustine of Hippo (354–430) is conventional and unsupported by internal evidence, reflecting a common medieval practice of pseudepigraphy to lend authority. The text survives in numerous medieval manuscripts, often as part of breviaries or psalter-hymnals, with no single authoritative copy. Its transmission is complex, with variants in psalm numbering and antiphons across witnesses. The work belongs to the genre of liturgical psalters, distinct from commentaries or homilies, and its content echoes patristic themes, such as the devil as 'antiquissimus hostis', found in Augustine and Gregory the Great. The present edition does not collate all known manuscripts, and scribal errors (e.g., 'meditntur' for 'meditatur') suggest a corrupt textual tradition.
Apparatus · what the pipeline recorded
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