Work dossier · summary and historical context
Augustine's Psalmus Contra Partem Donati is an abecedarian polemical song composed around 393–394 CE, early in his episcopate, to counter Donatist popular verse. Designed for congregational singing, it survives in a single 9th-century manuscript within the African collection, transmitted in the CSEL edition. The text employs accentual trochaic septenarius, inferred from later Latin hymnody, and its stanzaic structure shows signs of scribal regularization. The psalm calls for popular judgment against Donatism, using biblical allusions to condemn schism and the Donatist charge of traditio.
This psalm is a rare example of early Christian polemical poetry designed for popular performance, illustrating Augustine's pastoral and rhetorical strategies against Donatism. It provides insight into late 4th-century North African Christianity, the use of song in religious conflict, and the transmission of anti-Donatist texts. Its survival in a single manuscript highlights the fragility of such works.
Composed in North Africa around 393–394 CE, early in Augustine's episcopate, this psalm targets the Donatist schism, which arose after the Diocletian persecution (303–305 CE). Donatists claimed exclusive legitimacy, accusing Catholics of being traditores who surrendered scriptures. Augustine wrote the psalm for congregational singing to sway public opinion, reflecting his strategy of using popular verse against Donatist propaganda. The text survives in a single 9th-century manuscript from the African collection, with no earlier witnesses, limiting its medieval influence. The CSEL edition preserves it, but the original musical setting and performance practice are lost. The metrical scheme is inferred from later hymnody, not contemporary notation.
Apparatus · what the pipeline recorded
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