Work dossier · summary and historical context
This work, transmitted under the name of Augustine, is a poetic composition on Psalm 41 addressed to neophytes (newly baptized Christians). Its title suggests a homiletic context, but the text survives as poetry, not a sermon, possibly indicating a later liturgical adaptation. Modern scholarship generally rejects Augustinian authorship, viewing it as a spurious imitation likely from the 5th or 6th century. The work is included among the spuria in the Maurist edition of Augustine's works (1679–1700). Its poetic form and specific address to neophytes are unique within the Augustinian corpus, and readers should not assume it reflects Augustine's known catechetical practice. The edition lacks a critical apparatus, and the source text may not represent the earliest recoverable form.
The work is significant as an example of early medieval poetic adaptation of patristic homiletics, illustrating how liturgical poetry could repurpose sermon material for neophytes. It also highlights the complex attribution practices of the manuscript tradition, where spurious works were long accepted as authentic. Its unique form within the Augustinian corpus invites study of how later communities shaped catechetical and liturgical traditions.
The work's precise date and place of origin are unknown. It is transmitted in Latin and attributed to Augustine in the manuscript tradition, but modern scholarship questions this, suggesting it may be a later imitation from the 5th or 6th century. The title 'In Psalmum XLI Ad Neophytos' implies a setting of post-baptismal catechesis, a practice well-attested in early Christianity, particularly in North Africa and Rome. However, the work's poetic form—rather than a prose sermon—suggests it may have been composed for liturgical use, perhaps as a hymn or metrical homily. Its inclusion in the Maurist edition among the spuria indicates it was long considered authentic but is now generally rejected. The work's transmission history is unclear; it may have circulated in monastic or cathedral libraries, possibly adapted from an earlier homiletic source. No firm evidence links it to a specific community or author.
Apparatus · what the pipeline recorded
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