Work dossier · summary and historical context
Sermo De Tempore Barbarico is a Latin homily dubiously attributed to Augustine of Hippo, classified among the Sermones Dubii. Its title references the barbarian invasions of the early 5th century, and the text adopts an eschatological and penitential tone, urging repentance in the face of divine punishment. The sermon survives in medieval homiliaries and was later incorporated into the Roman Breviary for times of crisis. Its uncertain authorship, stylistic inconsistencies, and scriptural inaccuracies—such as a conflated citation of Matthew—suggest later interpolations or a non-Augustinian origin. The edition presents the text as transmitted under Augustine's name without resolving the attribution debate.
This sermon matters as a witness to early 5th-century Christian responses to barbarian invasions, blending eschatology with penitential practice. It illustrates how Augustine's authority was invoked for later liturgical and homiletic traditions, even in works of uncertain authenticity. Its inclusion in the Roman Breviary shows its enduring influence on crisis liturgy, while its textual problems highlight the challenges of attributing late antique sermons.
The sermon's title 'De Tempore Barbarico' situates it within the period of barbarian incursions into the Roman Empire, most likely the early 5th century, between the Visigothic sack of Rome (410 CE) and the Vandal invasions of North Africa (c. 430 CE). The community addressed would have been Latin-speaking Christians in the western Mediterranean, possibly in North Africa or Italy, facing existential crisis and seeking liturgical guidance. The genre is a homily, structured in chapters, typical of late antique preaching. Its transmission through medieval homiliaries and the Roman Breviary indicates continued liturgical use, but the text shows later interpolations, especially in scriptural citations, complicating its original form. The sermon's dubious attribution to Augustine reflects a broader tradition of pseudepigraphical works circulating under his name, often shaped by later monastic or ecclesiastical needs.
Apparatus · what the pipeline recorded
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