Work dossier · summary and historical context
This festal homily by Augustine of Hippo expounds Psalm 149 (Vulgate numbering) on the theme of the 'new song' and the return to the heavenly homeland. Blending eschatological hope with moral exhortation, Augustine contrasts the old and new covenants, songs, and human conditions, urging his hearers to renounce the old life and embrace renewal. The sermon likely addresses catechumens preparing for baptism at Easter, using the imagery of the 'new song' and 'new man' to signify the transition from the old life to the reception of the baptismal creed. The text survives in a single early medieval manuscript tradition and was excerpted in medieval florilegia on the heavenly patria, cited by Thomas Aquinas in the Catena Aurea on the Psalms.
This sermon is a key witness to Augustine's eschatological and baptismal theology, blending scriptural exegesis with pastoral exhortation. Its use of the 'new song' and 'heavenly homeland' themes influenced medieval spirituality and was cited by Thomas Aquinas. The text's survival in a single manuscript tradition and its excerpting in florilegia highlight its importance for understanding the transmission of Augustinian thought.
Augustine likely delivered this sermon late in his episcopate (ca. 410–430) in Hippo Regius (modern Annaba, Algeria), a major center of Latin Christianity in Roman North Africa. The community was predominantly Latin-speaking, with a strong catechetical tradition. The sermon's genre is a festal homily, possibly for Easter or Pentecost, given its baptismal and renewal themes. The text survives in a single early medieval manuscript tradition; the edition ogl-pl relies on the Maurist text (1679–1700) with minor emendations. It does not collate variant readings from the two extant Carolingian copies, nor does it provide a full apparatus of biblical citations. The sermon was excerpted in medieval florilegia on the theme of the heavenly patria and cited by Thomas Aquinas in the Catena Aurea on the Psalms.
Apparatus · what the pipeline recorded
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