Work dossier · summary and historical context
De Noe is a Latin treatise by Ambrose of Milan, likely composed in the late 380s as part of his exegetical series on Old Testament figures. The work offers an allegorical and moral exposition of Noah, emphasizing the difficulty of understanding a just man's mind—a theme rooted in classical and Christian introspection. Ambrose reframes Noah's survival after the Flood as a divine act creating a 'seedbed of righteousness' (iustitiae seminarium). The text survives in a single medieval manuscript tradition, with the earliest witness a 9th-century codex; the CSEL edition collates several later copies. Ambrose's interpretation influenced later medieval typology, especially in liturgical readings for Lent and in the works of Bede and Rabanus Maurus.
De Noe is significant for its allegorical interpretation of Noah, which shaped medieval typology and liturgical readings for Lent. It reflects Ambrose's synthesis of classical philosophy (e.g., Platonic and Stoic ideas of the soul's ascent) with biblical exegesis. The treatise also provides insight into late 4th-century Christian thought on righteousness, grief, and spiritual refuge, influencing later figures like Bede and Rabanus Maurus.
Ambrose (c. 339–397) was bishop of Milan, a key figure in late 4th-century Latin Christianity. De Noe was composed after his Hexaemeron, likely in the late 380s, during a period of ecclesiastical turbulence and personal grief (e.g., the death of his brother Satyrus). The treatise belongs to Ambrose's exegetical series on Old Testament figures, reflecting his allegorical method influenced by Origen and Philo. The text survives in a single medieval manuscript tradition; the earliest witness is a 9th-century codex, with later copies collated for the CSEL edition. The CSEL edition occasionally emends the Latin to classical norms, and variant readings from later medieval copies are selectively noted. The work's transmission suggests limited circulation but enduring influence in monastic and liturgical contexts.
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