Work dossier · summary and historical context
Severian of Gabala's homily 'In theophaniam' is a festal sermon for the feast of Theophany (Epiphany), celebrating Christ's baptism and the manifestation of the Trinity. Delivered in Constantinople around 401–404 CE, it exemplifies late antique Antiochene preaching with its rhetorical structure, liturgical call to participation, and emphasis on illumination and initiation. The Greek text survives in a single manuscript tradition with lacunae, and the homily was used in Byzantine liturgical contexts, influencing later hymnography and patristic florilegia. Severian draws on biblical imagery and the concept of 'equal honor' between earthly and angelic liturgy, reflecting contemporary ascetic ideals. The English translation paraphrases some rhetorical figures, so consultation of the Greek is advised for precise theological terminology.
This homily is a key witness to late antique Antiochene preaching and the liturgical celebration of Theophany in Constantinople. It influenced Byzantine hymnography and patristic florilegia on Christ's baptism, and its survival in both Greek and Coptic traditions attests to its cross-confessional reception. The work also illuminates Severian's exegetical method and rhetorical style, offering insights into the theological and ascetic ideals of the early fifth century.
Severian of Gabala (fl. ca. 400–408 CE) was a prominent Antiochene preacher who spent time in Constantinople, where he delivered this homily likely between 401 and 404 CE. The exact date is not fixed by external evidence, but his activity in the capital places it during the episcopate of John Chrysostom, with whom Severian had a complex relationship. The homily was composed for the feast of Theophany (January 6), which in the Greek tradition celebrated Christ's baptism and the revelation of the Trinity. The text survives in a single Greek manuscript tradition with some lacunae, and also in Coptic versions, indicating its liturgical use in both Chalcedonian and non-Chalcedonian churches. The source edition (pta) relies on a collation of principal witnesses but lacks a critical apparatus. The homily's rhetorical features, such as the opening imperative series and triple anaphora, align with festal homilies of the period, notably those of Gregory of Nazianzus.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
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| no glossary terms recorded | |||