Work dossier · summary and historical context
Obsidio Constantinopolis is a Georgian prose account of the 1453 fall of Constantinople, composed shortly after the event by an anonymous Georgian monk or cleric. The work survives in a single 17th-century manuscript (Tbilisi, Kekelidze Centre, MS A-35) with lacunae and scribal emendations. It selects episodes distinct from Greek and Slavic traditions and frames the siege eschatologically, portraying Constantinople as the New Jerusalem. The text was never part of the Georgian liturgical corpus and had limited circulation in monastic circles. Its relationship to a lost Greek original attributed to 'George the Deacon' remains unverified.
Obsidio Constantinopolis provides a unique Georgian perspective on the 1453 fall of Constantinople, offering a theological and eschatological interpretation distinct from Greek and Slavic traditions. It attests to the circulation of Byzantine historical narratives in Georgian monastic circles and the adaptation of these events for a local audience. The work's survival in a single manuscript highlights the fragility of such texts and the need for careful textual criticism.
The work was composed shortly after the Ottoman conquest of Constantinople on 29 May 1453, likely by a Georgian monk or cleric who was either in the city or in the Peloponnese. The exact date and author are unattested in the manuscript. The sole surviving witness is a 17th-century copy (MS A-35) held at the Kekelidze Centre in Tbilisi, Georgia. The text was never incorporated into the Georgian liturgical corpus, suggesting its readership was limited to monastic circles interested in contemporary Byzantine history. The work's eschatological framing (Constantinople as New Jerusalem) reflects a common topos in Byzantine and Orthodox literature. The Georgian tradition is distinct from the Greek and Slavic accounts in its selection of episodes and theological emphasis. The relationship to the lost Greek original attributed to 'George the Deacon' remains unverified, and the text has not been collated with Greek or Ottoman sources.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||