Armenian · Homilies · 5th century (Zenodo record title)
Mambre Vercanoł · matenagirk
Work dossier · summary and historical context
This homily on the resurrection of Lazarus, attributed to the obscure Armenian author Mambre Vercanoł (fl. 5th–6th c.), survives only in Classical Armenian (grabar) and is assigned in liturgical manuscripts to the Sabbath of Lazarus, the Saturday before Palm Sunday. It likely served a catechetical and festal function within the pre-Lenten or Lenten cycle. The text presents Lazarus’s resurrection as a pledge of universal resurrection, employing typological and eschatological themes. No Greek or Syriac source is known; it may be an original composition or a free adaptation of a lost patristic work. The edition (matenagirk) does not collate all manuscripts, and variant readings may exist.
This homily is significant as a rare witness to early Armenian liturgical and homiletic traditions, particularly the festal celebration of Lazarus’s resurrection. It illustrates the development of typological and eschatological themes in Armenian Christianity, presenting Lazarus’s resurrection as a pledge of universal resurrection. The work also highlights the challenges of attributing texts to shadowy figures like Mambre Vercanoł and the complexities of manuscript transmission in the Armenian tradition.
The homily is attributed to Mambre Vercanoł, a shadowy figure active in the 5th–6th centuries, but the attribution rests solely on manuscript colophons, not contemporary testimony, so no firm date can be assigned. It survives only in Armenian (grabar), with no known Greek or Syriac Vorlage, suggesting it may be an original Armenian composition or a free adaptation of a lost patristic source. The text was used liturgically on the Sabbath of Lazarus, indicating its place in the Armenian liturgical calendar during the pre-Lenten or Lenten cycle. The homily’s transmission is limited to Armenian manuscripts, and the edition (matenagirk) does not collate all known witnesses, leaving potential variant readings unexamined. The work reflects early Christian catechetical and festal traditions, linking the resurrection of Lazarus to eschatological themes.
Apparatus · what the pipeline recorded
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