Work dossier · summary and historical context
John of Damascus's 'Oratio de his qui in fide dormierunt' is a consolatory homily addressing the fate of the faithful departed. It blends eschatological hope with pastoral comfort, employing elevated yet accessible liturgical prose. The work likely dates from John's monastic career at Mar Saba, with internal references to icon veneration suggesting a post-726 context. The text survives in multiple Greek manuscripts, the earliest from the 10th–11th centuries, and was incorporated into Byzantine funeral rites, influencing later Orthodox theology of intercession for the dead and Slavic translations in the Kievan tradition.
This homily shaped Byzantine funeral practices and Orthodox theology of intercession for the dead, blending eschatological hope with pastoral care. Its influence extended to Slavic Christianity, where it was translated and used in Kievan tradition. The work also reflects John's defense of icons, situating it within the iconoclastic controversy.
John of Damascus (c. 675–749) composed this homily during his monastic life at Mar Saba in Palestine, a period of theological controversy over icon veneration. The work's internal references to icons suggest a date after 726, when Emperor Leo III began iconoclasm. The homily belongs to the genre of consolatory addresses on the departed, common in Byzantine liturgical literature. It survives in multiple Greek manuscripts, with the earliest witness from the 10th–11th centuries, indicating ongoing use in monastic and funeral contexts. The khazarzar edition follows a single recension without collating variant readings, limiting textual verification. The homily was later incorporated into Byzantine funeral rites and cited in Orthodox florilegia on the afterlife, and it influenced Slavic translations in the medieval Kievan tradition.
Apparatus · what the pipeline recorded
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