Work dossier · summary and historical context
John of Damascus's Encomium in sanctum Joannem Chrysostomum is a Greek homily celebrating John Chrysostom, likely composed in the early 8th century after the Second Council of Nicaea (787) rehabilitated Chrysostom's memory. The work survives in a single digital edition from khazarzar, lacking critical apparatus or manuscript witnesses. It employs conventional encomiastic topoi, such as the 'golden tongue' motif, and echoes biblical parables to emphasize humility. The text was used in Byzantine liturgical commemorations of Chrysostom (13 November and 27 January), reinforcing his status as a model preacher. No English translation or commentary accompanies this edition, leaving textual uncertainties unresolved.
This encomium is significant for understanding the post-iconoclastic rehabilitation of John Chrysostom and the Damascene's rhetorical strategies. It illustrates how Byzantine authors used conventional topoi to venerate saints, and its liturgical use underscores Chrysostom's enduring influence. The work also highlights textual challenges in digital editions without critical apparatus.
John of Damascus (c. 675–749), a Greek monk and theologian, wrote this encomium after the Second Council of Nicaea (787), which rehabilitated John Chrysostom's memory. The work likely dates to the early 8th century, reflecting the Damascene's role in defending icons and promoting patristic authority. The encomium was read in Byzantine liturgical commemorations of Chrysostom (13 November and 27 January), reinforcing his status as a model preacher and saint. The sole source for this edition is the digital text at khazarzar, which does not provide manuscript witnesses or stemmatic information. The khazarzar edition lacks critical apparatus; variant readings from other manuscripts (e.g., Patrologia Graeca 96) are not collated, so textual uncertainties remain unresolved. The work belongs to the genre of encomium, a rhetorical praise speech, and is part of John of Damascus's broader corpus of homilies and theological writings.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||