Work dossier · summary and historical context
John Chrysostom's 'Sermo antequam iret in exsilium' is a homily delivered in 404 CE, just before his second and final exile from Constantinople. The text reflects the tense atmosphere following his condemnation at the Synod of the Oak, using metaphors of waves and rock to contrast external threat with spiritual stability. It adapts Genesis 2:24 to argue for the indissolubility of the Church and employs classical Greek expressions like 'kicking against the goads' to warn opponents. The homily survives in multiple Greek manuscripts and was widely copied in Byzantine monastic circles as a model of pastoral courage, appearing in menologia for Chrysostom's commemoration. The khazarzar edition is a modern digital compilation without critical apparatus, lacking manuscript sigla or textual notes.
This homily is a key witness to Chrysostom's final confrontation with imperial authority, illustrating his rhetorical skill and pastoral resolve. It influenced later Byzantine monastic literature as a model of courage under persecution. Its metaphors, such as the 'ship of Jesus,' became standard ecclesiological images in patristic and Byzantine thought. The homily also highlights the intersection of classical Greek culture and Christian theology, as seen in its use of proverbs from Aeschylus.
The homily was delivered in 404 CE in Constantinople, during the final phase of John Chrysostom's conflict with the imperial court and Theophilus of Alexandria. Chrysostom had been condemned at the Synod of the Oak (403 CE), leading to his first exile, which was briefly reversed. By 404, political and ecclesiastical pressures culminated in his second exile. The homily reflects the immediate context of his departure, using rhetorical devices to assert spiritual authority against temporal power. The Greek text survives in multiple manuscripts, indicating wide circulation in Byzantine monastic circles, where it was valued as a model of pastoral courage. It appears in menologia for Chrysostom's commemoration, suggesting liturgical use. The khazarzar edition, however, is a modern digital compilation without critical apparatus, so the textual tradition's specifics—such as manuscript families or variants—are not documented. The homily's genre is a homily, and its transmission reflects its integration into Byzantine hagiographical and liturgical traditions.
Apparatus · what the pipeline recorded
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