Work dossier · summary and historical context
This homily, traditionally attributed to John Chrysostom, celebrates the veneration of the cross, likely for the Feast of the Exaltation of the Holy Cross. It opens with a threefold exclamation addressing angels, mortals, and demons, then shifts to a direct apostrophe to the Cross, employing anaphoric series. The text draws on scriptural imagery such as the gates of paradise and the penitent thief (Dismas), and reflects Byzantine liturgical practices of church consecration and ritual purity. It survives in multiple Greek manuscripts from the 10th century onward, but no critical edition exists, and the attribution to Chrysostom remains unconfirmed by early witnesses.
The homily is significant for its vivid liturgical rhetoric and its role in shaping Byzantine devotion to the cross. It exemplifies the festal homiletic tradition and the integration of scriptural typology (paradise gates, penitent thief) into public worship. Its uncertain authorship highlights the challenges of attributing late antique homilies, and its manuscript tradition illustrates the fluidity of liturgical texts in the Byzantine world.
The homily is traditionally dated to the late 4th or early 5th century, the period of John Chrysostom's activity in Antioch and Constantinople (c. 386–407). However, no external witness before the 10th century confirms the attribution, and the earliest manuscripts are medieval. The text was used in Byzantine liturgical settings, especially during Holy Week or the Feast of the Exaltation of the Cross (14 September). Its language is Greek, and its genre is a festal homily. The transmission is complex: multiple Greek manuscripts exist, but no stemma has been established. The Khazarzar edition is a digital compilation without critical apparatus, so variant readings and scribal interventions are unknown. The homily's influence appears in later hymnography, but it was never included in the standard Menologion.
Apparatus · what the pipeline recorded
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