Work dossier · summary and historical context
This homily, traditionally attributed to John Chrysostom (c. 349–407), celebrates the three-day resurrection of Christ, focusing on the Paschal triduum. It employs a liturgical tone with repeated imperatives of joy, references to Gehenna, and a rhetorical challenge to death, echoing early Christian hymns. The text survives in multiple medieval Greek manuscripts and is used in Orthodox Paschal vigils. Its authenticity is debated due to stylistic differences from Chrysostom's undisputed works. The modern digital edition by khazarzar lacks critical apparatus, limiting its use for textual criticism.
This homily is significant for its enduring liturgical use in Orthodox Paschal celebrations and its reflection of early Christian paschal theology, particularly the emphasis on the three-day period from crucifixion to resurrection. It also illustrates the rhetorical and theological style associated with Chrysostom, though its disputed authorship highlights challenges in patristic attribution. The text's themes, such as the ransom from the law's curse, connect to Pauline soteriology and later Christian thought.
The sermon is traditionally assigned to John Chrysostom, a prominent preacher and bishop of Antioch and Constantinople, active in the late 4th to early 5th century. It likely originated in an Antiochene or Constantinopolitan liturgical setting, where Paschal homilies were delivered during the Easter vigil. The Greek text was transmitted through medieval manuscripts, often included in collections of Chrysostom's homilies. Its title emphasizes the triduum, a key theological concept in Eastern Christianity. The attribution is not universally accepted; some scholars question it based on stylistic grounds. The khazarzar edition is a modern digital transcription without critical apparatus, manuscript sigla, or variant readings, reflecting a non-scholarly source.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||