Work dossier · summary and historical context
This work, attributed to John Chrysostom and titled 'In secundum domini adventum' (Latin for 'On the Second Coming of the Lord'), is a homiletic or exegetical piece focusing on Christ's second advent. It survives only in Latin translation, with no known Greek original in standard Chrysostom corpora, raising questions about authenticity and textual fidelity. The text likely originates from Chrysostom's Antiochene period (c. 386–397) if genuine, but its Latin transmission suggests later medieval compilation and use in Western monastic or liturgical contexts. The edition from khazarzar lacks critical apparatus or manuscript evidence, limiting verification of its relationship to Chrysostom's genuine corpus or its transmission history.
This work matters as a potential witness to the reception of Chrysostom's eschatological thought in the Latin West, highlighting the transmission and adaptation of Greek patristic texts in medieval monastic and liturgical contexts. It relates to broader patristic literature on the Second Coming and to the history of pseudo-Chrysostomica, illustrating how later compilations shaped the legacy of early Christian authors.
The work is attributed to John Chrysostom (c. 347–407), a prominent Greek Father known for his homilies and exegesis during his time as a presbyter in Antioch (c. 386–397) and later as Archbishop of Constantinople. If genuine, it would belong to this Antiochene period, reflecting his pastoral and eschatological interests. However, the text survives only in Latin translation, with no Greek original attested, suggesting it may be a later medieval compilation or adaptation. The Latin transmission points to use in Western monastic or liturgical settings, possibly in Carolingian or later contexts, rather than in Byzantine tradition. The focus on the second advent aligns with patristic eschatological themes, but the lack of manuscript evidence and critical apparatus from the khazarzar edition makes it difficult to verify the text's authenticity or its precise historical setting.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||