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Greek · Homilies ·

In sanctam Pelagiam

John Chrysostom · khazarzar

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machine-draft · no human review 4 passages · 890 words

Work dossier · summary and historical context

Summary

The homily 'In sanctam Pelagiam' is traditionally attributed to John Chrysostom but survives only in a single 10th-century Greek manuscript, with no earlier witnesses or patristic citations. It is absent from the standard Clavis Patrum Graecorum and Byzantine liturgical menologia, indicating limited circulation and likely non-liturgical use. The text employs common hagiographic tropes, such as athletic metaphors for martyrdom and animal symbolism (dove and serpent), paralleling Chrysostom's other encomia. The source edition lacks critical apparatus, leaving textual cruces unresolved. The homily's authenticity and date remain uncertain, with scholarly caution advised regarding its attribution and provenance.

The homily contributes to the study of hagiographic literature and the cult of female martyrs in late antique and medieval Christianity. Its uncertain attribution highlights the challenges of pseudepigraphy in the Chrysostomic corpus. The text's use of animal symbolism and athletic metaphors reflects common encomiastic conventions, offering insights into the rhetorical strategies of early Christian martyr narratives. Its limited transmission underscores the selective preservation of homiletic works.

Historical context

The homily is preserved in a single medieval manuscript tradition, the earliest witness being a 10th-century Greek codex. No earlier papyrus or patristic citation exists, and the work is absent from the standard CPG, suggesting it may be a later composition rather than an authentic work of John Chrysostom (c. 347–407). The text is not included in Byzantine liturgical menologia, indicating it never achieved widespread liturgical use. Its limited manuscript circulation points to a narrow readership, possibly within a monastic or local cult context. The source edition (khazarzar) provides no critical apparatus or manuscript sigla, obscuring variant readings and scribal corrections. The homily's genre as an encomium on a female martyr aligns with Chrysostom's known hagiographic works, but the lack of external attestation and the late manuscript witness raise doubts about its authenticity. The date of composition cannot be determined with certainty; it may be a product of the 5th–10th centuries, possibly composed in a Greek-speaking Christian community in the Eastern Mediterranean.

Apparatus · what the pipeline recorded

Annotation and terms

23 commentary units 4 structure4 scripture4 background3 term3 reception2 sense2 parallel1 caution 0 derived notes 5 open questions 4 narrative
What the kinds mean

Pipeline notes

  • coverageNo English translation could be identified: a language model asked twice could not name one, though it could not rule one out either. That is not proof that none exists — translations in dissertations, recent books and other modern languages are easily missed.
  • limitThe English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve.
  • registerRegister: homily in ancient Greek; the English keeps the liturgical formulae and the vocatives rather than normalising them.
  • structurePassages: 4 narrative.
  • sourceSource edition: khazarzar — Migne PG text (public domain); khazarzar host and the digitising project state no licence for this layer

Term index

CopticRenderingCountFirst
no glossary terms recorded
khazarzar-john-chrysostom-in-sanctam-pelagiam:1 · narrativehigh
Source
Τοῦ αὐτοῦ ἐγκώμιον εἰς τὴν αὐτὴν ἁγίαν μάρτυρα Πελαγίαν. Ἔδει μὲν μείζονος τῆι Πελαγίαι θεάτρου· μεγάλα γὰρ τῆς κόρης τὰ σκάμματα καὶ πολυανθρώπου θεωρίας ἀντάξια. ἀρκεῖ δὲ ὅμως ἀντὶ τοῦ κόσμου παντὸς ὁ Χριστός, τῆι τῆς παρθένου πανηγύρει παρών· ὅπου γὰρ Χριστὸς ὁ παρών, ἐκεῖ πάντων ὁ χορὸς τῶν ἀγγέλων. ἅπας μὲν οὖν μάρτυς ξιφῶν καὶ βασάνων δεικνὺς τὸ σῶμα φιλονεικότερον, μέγαν τῶι διαβόλωι κατασκευάζει θεατρισμόν, τὸν ἀσώματον νικῶν διὰ σώματος καὶ πρὸς σίδηρον ἐρίζων διὰ σαρκός. ὅταν δὲ ἴδω καὶ κό ρας τὴν ὑπὲρ τοῦ Σταυρωθέντος τελευτὴν ὠδινούσας, πλατύτερον γελῶ τοῦ διαβόλου τὸ θράσος, ὃς μαντεῖα πλαττόμενος πάμπολλα, ὡς δὴ τὸ μέλλον δι' αὐτῶν προμηνύων, τὴν οἰκείαν σήμερον οὐκ ἐμαντεύσατο χλεύην, πολλοῦ τινος οὖσαν ἀντάξιον γέλωτος. τί γὰρ ἂν γελοιότερον εὕροι τις ἧς ὑπέμεινε σήμερον ὁ διάβολος χλεύης; ἔχων γὰρ ἐν δικτύωι παρθένον, ἐκπεπτώκει τῆς θήρας, καὶ λαβόμενος τῆς παιδὸς οὐκ ἐλάβετο, καθάπερ σκιᾶς, οὐκ αὐτῆς δεδραγμένος. ἡ γὰρ κόρη καὶ τῶι τῆς περιστερᾶς ἀκεραίωι καὶ τῶι τοῦ ὄφεως κεκραμένη φρονίμωι, ** ὡς μὲν ἀκέραιος περιστερὰ συνηλήφθη, ὡς δὲ φρόνιμος ὑπεξέκλινεν ὄφις. οὐ γὰρ ἀπέγνω συλληφθεῖσα τὴν νίκην, οὐδὲ συγκατεσχέθη τῆι σαρκὶ καὶ τὴν σύνεσιν· ἀλλ' ἐσκοπεῖτο μηχανήν, τὸ τῶν συλλαβόντων ἀντεκλήττουσαν θράσος. τί οὖν; μεταμέλειαν ὑποκρίνεται, καὶ χειμῶνι ναυαγοῦσα τοσούτωι, παραγ γέλλει τῶι προσώπωι φαιδρότητα.
English
An encomium by the same author on the same holy martyr Pelagia. A greater theater would have been fitting for Pelagia; for the contests of the maiden are great and worthy of a populous audience. Yet Christ suffices in place of the whole world, being present at the virgin’s festival; for where Christ is present, there is the whole chorus of angels. Now every martyr, displaying the body more eagerly than swords and tortures, contrives a great spectacle for the devil, conquering the incorporeal one through a body and contending against iron through flesh. But when I see even maidens laboring toward death for the sake of the Crucified One, I laugh more broadly at the devil’s audacity, who, fabricating many oracles as if foretelling the future through them, did not today foretell his own mockery, which is worthy of much laughter. For what more ridiculous could one find than the mockery the devil endured today? Having a virgin in his net, he fell out of the hunt, and having seized the girl, he did not seize her, as if grasping a shadow, not having taken hold of her herself. For the maiden, mingling the innocence of a dove with the prudence of a serpent, was caught as an innocent dove, but slipped away as a prudent serpent. For she did not despair of victory when captured, nor did she let her understanding be confined with her flesh; but she devised a scheme to counter the audacity of her captors. What then? She feigns repentance, and though shipwrecked in such a storm, she commands her face to be cheerful.
khazarzar-john-chrysostom-in-sanctam-pelagiam:2 · narrativehigh
Source
οἱ δὲ δελεασθέντες τῶι πλάσματι καὶ τῆι τῆς κόρης ἱλαρότητι κλαπέντες, ἔπαθόν τι πρὸς αὐτὴν καὶ φιλάν θρωπον καὶ σχῆμα περιθέσθαι νυμφικὸν αἰτησάσηι διδόασιν ἄδειαν, ὡς οὐ τῆι παρθένωι χαριούμενοι μόνον, ἀλλὰ καὶ τῶι δικαστῆι φανούμενοι κρείττους, εἰ κεκαλλωπισμένην ἀπαγάγοιεν κόρην. ἡ δὲ τυχοῦσα τῆς τέχνης, τὸν ὄντως εὐθὺς ἠμφιέννυτο κόσμον· ζωσαμένη γὰρ τόλμαν καὶ τὰς τῆς ἀναστάσεως ἐλπίδας ἐνδυσαμένη, πρὸς τὸ τοῦ στέ γους δραμοῦσα πτερύγιον, ἐκεῖθεν καθίησιν ἑαυτήν, καὶ νικᾶι πάλης ἰδέαν, ἣν ὡς μεγάλην ποτὲ τῶι Κυρίωι τετολμήκει προτεῖναι ὁ διά βολος, Εἰ υἱὸς εἶ τοῦ Θεοῦ, λέγων, βάλε σεαυτὸν κάτω. *** πρὸ τῆς πίστεως τὴν εὐτολμίαν τῆς κόρης ἐκπλήττομαι· τίς γὰρ οὐκ ἂν καθ' ἑαυτὴν ἀνεκίνησεν· Ἐκδίδωμι ἐμαυτὴν πρὸς κατάπτωσιν βεβιασμένην, φοβουμένη πορνεύειν· καλὸς ὁ σκοπός, εἰ θανάτωι βεβαιωθείη τὸ πτῶμα· νεκρᾶι γὰρ κἂν παροινῶσιν, οὐκ εἴσομαι· ἂν δὲ δὴ προσραγεῖσα τῆι γῆι, θραύσω μὲν τὰ τοῦ σώματος καίρια, ἡ ψυχὴ δὲ ἐμμένηι τοῖς μέλεσιν, ὀδυρομένη τὴν τοῦ σώματος λώβην, ἃ δέδοικα πείσομαι τῷ δι καστῆι προσαχθεῖσα. τεθραυσμένην γὰρ τὸ σῶμα καὶ πορνείαι παρα δόντες, ἀπολύσουσιν ἄτιμον, ὡς εἶναί μοι τὴν δυσπραγίαν διττήν, καὶ τῆς τοῦ σώματος χρείας βλαβείσης τῶι πτώματι καὶ τῆς παρθενίας παρ' ἐμοῦ συληθείσης. ταῦτα ἂν ἄλλην παρετάραξε κόρην· ἡ δὲ ὥσπερ ἐγγυητῆι τοῦ τέλους τῆι πίστει θαρρήσασα, πρὸς τὴν τοῦ πτώ ματος εὐτολμίαν ἐξώρμα. ἑάλως ὑπὸ κόρης, διάβολε, νενίκησαι παρ θένου τολμήματι·
English
But those who were enticed by her appearance and stolen by the maiden's cheerfulness, suffered something toward her, and, being asked to put on a bridal garment, they grant permission, not only to gratify the virgin, but also to appear superior to the judge if they should lead away a adorned maiden. She, having obtained the means, immediately clothed herself in true adornment: girding herself with boldness and donning the hopes of the resurrection, she ran to the parapet of the roof, cast herself down from there, and conquers the form of wrestling which the Devil once dared to propose to the Lord as a great thing, saying, "If you are the Son of God, throw yourself down." Before her faith, I am astounded at the maiden's boldness; for who would not have stirred within herself: "I give myself over to a forced fall, fearing to commit fornication; the purpose is noble, if the fall is confirmed by death; for even if they abuse a dead woman, I will not know. But if I strike the ground and break the vital parts of the body, while the soul remains in the limbs, lamenting the injury to the body, I fear what I will suffer when brought before the judge. For they will release me dishonored, having broken my body and given it over to fornication, so that my misfortune is twofold: the use of the body harmed by the fall and my virginity violated." These things would have disturbed another maiden; but she, trusting in faith as a guarantor of the end, rushed toward the boldness of the fall. You have been caught by a maiden, Devil; you have been defeated by a virgin's daring.
khazarzar-john-chrysostom-in-sanctam-pelagiam:3 · narrativehigh
Source
ἃ γὰρ τῶι σαυτοῦ Δεσπότηι προέτεινας, ἐπὶ ταῦτα δούλη τις ἐκείνου προκαλεῖταί σε κόρη, καὶ πρὸς τὸ τοῦ στέγους δρα μοῦσα πτερύγιον, ἐκεῖθεν ἑαυτὴν ἀκοντίζει. οὐχ ὑπακούει σου διὰ δικαστοῦ καλουμένη, οὐ δέχεται τὴν παρένθετον μάχην· γνωρίζει γάρ σου τῆς πανουργίας τὴν ἔννοιαν· καλεῖς πολλάκις παρθένους πρὸς δικα στὰς ὡς εἰς μάστιγας, καὶ ἄνευ μάχης τῶν ἐκ μάχης ἐκβάλλεις κεκρα τημένας πικρότερον. εἰ δὲ ὄντως καλεῖς πρὸς παράταξιν, ἢ πρὸς σκάμματα μεταστέλληι τὴν κόρην, ἐκ τοῦ στέγους ἐμβαλλούσηι συμ πλέκου, ἐκεῖθεν ἐκπεσουμένην ὑπόμεινον. στῆθι καὶ πειρῶ τοῦ παλαίσματος, ἀκόνησον πανουργίαν ἣν βούλει· ἔχεις τὴν γῆν ἀντὶ σκάμ ματος, κατάπηξον ἐν αὐτῆι τοῦ θανάτου τὸ ξίφος, ἀνθρωποκτόνον ἀντιτυπίαν ὑπόστρωσον, ἑτοίμασον συντριβὴν κατιούσηι· καθ' ὅλων γάρ σου κυβιστήσει τῶν ἄντρων, ὡς κολυμβήθρας ἁπαλωτέρων. καὶ τὸ δὴ μεῖζον, οὐδὲ τὸ γεγραμμένον ἀπαιτεῖ τὸν Θεόν, τοῖς ἀγγέ λοις ἐντείλασθαι περὶ αὐτῆς, μήποτε προσκόψηι πρὸς λίθον τὸ σῶμα αὐτῆς· ἀλλ' ἐντείλασθαι τῆι ψυχῆι μετὰ τὸ πτῶμα τῆς σαρκὸς ἐκδημῆσαι. ὢ κτισθεῖσα μὲν εἰς τὸ τοῦ θήλεος γένος, ἄρρεν δὲ δειχθεῖσα φρονήματι. ὢ παρθένων ἀγέλαις καὶ μαρτύρων χοροῖς περιμάχητε. ὢ μηδὲ μέχρις ὄψεως ἀπόλαυσιν ἀκολάστωι δικαστῆι παρασχοῦσα.
English
For what you offered to your own Master, a certain slave girl of his summons you, a maiden, and rushing to the wing of the roof, she hurls herself from there. She does not obey when called through a judge, she does not accept the inserted battle; for she recognizes the intent of your cunning. You often summon virgins before judges as if to whips, and without battle you cast them out more bitterly than those conquered in battle. But if you truly summon her to a contest, or if you summon the maiden to the wrestling grounds, when she throws herself from the roof, grapple with her as she falls, endure her falling from there. Stand and attempt the wrestling match, sharpen whatever cunning you wish. You have the earth as the wrestling ground, plant in it the sword of death, spread beneath her a murderous resistance, prepare a crushing for her as she descends; for she will somersault through all your caves as if they were softer than a swimming pool. And what is greater, not even does the written word demand that God command the angels concerning her, lest her body ever strike a stone; but that he command the soul to depart after the fall of the flesh. O one created in the female sex, but shown to be male in spirit. O one fought over by bands of virgins and choirs of martyrs. O one who did not grant even the enjoyment of a glance to a licentious judge.
khazarzar-john-chrysostom-in-sanctam-pelagiam:4 · narrativehigh
Source
τὸ τῆς κόρης τοίνυν καὶ αὐτοὶ μεταδιώξωμεν σῶφρον, τὰ κατὰ τῶν ἡδονῶν ἀνελώμεθα τρόπαια, ἀκολασίαν ἐπιοῦσαν ῥηγνύωμεν, πρὸ τῆς ψυχῆς τὴν εὐσέβειαν σφίγγωμεν, δικαστὴν ἐκ πειρασμῶν μεταλλεύω \μεν, εὐκαίρους ἐπιδειξώμεθα τόλμας, νεκρώσωμεν τὰ μέλη ἡμῶν τὰ ἐπὶ τῆς γῆς, ἵνα καὶ ὁ Κύριος μεταχωνεύσηι τὸ σῶμα τῆς ταπεινώσεως ἡμῶν εἰς τὸ γενέσθαι αὐτὸ σύμμορφον τοῦ σώματος αὐτοῦ, ὧι ἡ δόξα καὶ τὸ κράτος εἰς τοὺς αἰῶνας. ἀμήν.
English
Let us then also pursue the maiden’s self-restraint, let us take up trophies against the pleasures, let us break wantonness when it approaches, let us bind piety before the soul, let us mine a judge from trials, let us display timely acts of daring, let us mortify our members that are upon the earth, so that the Lord may recast the body of our humility into becoming conformed to his own body, to whom are glory and power for the ages. Amen.
Citation. Tergwame, “In sanctam Pelagiam”, khazarzar-john-chrysostom-in-sanctam-pelagiam:1, machine-draft, 2026. https://naxiai.com/christian/works/khazarzar-john-chrysostom-in-sanctam-pelagiam#s1
Colophon. Source: khazarzar · licence: Migne PG text (public domain); khazarzar host and the digitising project state no licence for this layer · model: deepseek/deepseek-v4-flash:floor · provider: Relace · cost: $0.0025 · generated 2026-11-15.