Work dossier · summary and historical context
This homily, attributed to John Chrysostom (c. 349–407), is a discourse for Easter (Holy Pascha) celebrating the resurrection of Christ. Likely composed during Chrysostom's Antiochene period (c. 386–397), it employs vivid imagery such as the 'myriad-lighted torch procession' and martial metaphors like 'soldiers' for the myrrh-bearing women. The text adapts Gospel accounts for rhetorical effect, urging rejoicing and emphasizing Easter as 'the mother of every feast.' Surviving in multiple Greek manuscripts, it was used in Byzantine Easter liturgy but lacks a critical edition; the Khazarzar digital compilation offers no apparatus. Its influence is modest compared to Chrysostom's more famous Paschal homily.
This homily illustrates Chrysostom's rhetorical and exegetical methods, including typology and anti-Arian polemic, and his adaptation of Gospel narratives for liturgical celebration. It contributes to the development of Easter homiletics and the trope of Easter as 'the mother of every feast,' later echoed in Byzantine hymnography. Its martial metaphor for the myrrh-bearing women is a distinctive feature, highlighting the active role of women in resurrection proclamation.
The homily is attributed to John Chrysostom, a prominent preacher and later Archbishop of Constantinople, active in Antioch and Constantinople in the late fourth and early fifth centuries. Its exact date is unknown, but stylistic and exegetical features suggest composition during his Antiochene period (c. 386–397), when he delivered many exegetical and festal homilies. The community was Greek-speaking, likely in Antioch, a major center of Antiochene exegesis emphasizing literal and typological interpretation. The genre is a λόγος (discourse) for Easter, part of the festal homiletic tradition. The text survives in multiple Greek manuscripts, but no critical edition has established a stemma; the Khazarzar edition is a digital compilation without full apparatus. It was read in Byzantine liturgical tradition for Easter, though it is not part of the standard Paschal homily corpus. Its transmission reflects the broader manuscript tradition of Chrysostom's works, often copied in Byzantine monastic and liturgical contexts.
Apparatus · what the pipeline recorded
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