Work dossier · summary and historical context
John Chrysostom's homily on Psalm 50 (LXX) is a moral-didactic and exegetical work from his Antiochene period (c. 386–397). It interprets the psalm's inscription, David's repentance, and the Uriah affair, using the biblical narrative of David's sin with Bathsheba as a key exemplum. Chrysostom employs rhetorical topoi, such as comparing prophets to painters, to emphasize vivid moral instruction. The homily survives in a single manuscript tradition, with the earliest witness from the 10th century; the modern edition relies on Migne's Patrologia Graeca, which depends on a 17th-century printed edition. The text adapts Septuagint quotations for rhetorical effect, and some passages may be corrupt or misread. The homily influenced later Byzantine liturgical and monastic commentaries on Psalm 50, especially regarding repentance and divine mercy.
This homily is significant for its integration of biblical exegesis with moral exhortation, using David's repentance as a model for Christian penitence. It influenced later Byzantine liturgical and monastic commentaries on Psalm 50, particularly in Lenten contexts. The work also illustrates Chrysostom's rhetorical techniques and his adaptation of Septuagint texts for pastoral purposes, offering insights into Antiochene preaching and the reception of the Psalms in late antiquity.
The homily was likely delivered in Antioch during Chrysostom's presbyterate (386–397), a period of intense preaching activity. Antioch was a major center of Antiochene exegesis, emphasizing literal and historical interpretation, though Chrysostom also employed moral and typological readings. The community was predominantly Greek-speaking Christian, with a strong tradition of psalmody in liturgy. Psalm 50 (LXX) was used in Byzantine Lenten services, and Chrysostom's treatment of David's sin and repentance reflects contemporary pastoral concerns about sin and divine forgiveness. The homily survives in a single manuscript tradition; the earliest witness is a 10th-century codex, but the text was transmitted through later copies and printed editions, notably the 17th-century edition used by Migne. No collation of all extant manuscripts has been done, so variant readings, especially in biblical quotations, may exist. The homily's genre is a homily (λόγος or ὁμιλία), a common form for Chrysostom's exegetical and moral instruction.
Apparatus · what the pipeline recorded
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