machine-draft · no human review2 passages · 531 words
Work dossier · summary and historical context
Summary
This work, transmitted under the name of John Chrysostom, is a passion narrative and hagiographical text used in Byzantine Holy Week liturgies. Its earliest manuscript witnesses are medieval, and its theological style diverges from Chrysostom's authentic homilies. Likely composed in a Byzantine monastic milieu between the 8th and 10th centuries, it belongs to the corpus of pseudo-Chrysostomica. The text influenced later passion piety, but the present edition lacks a critical apparatus, making textual verification impossible.
This text exemplifies the later Byzantine appropriation of Chrysostom's authority for liturgical and devotional purposes. It shaped medieval passion piety and illustrates the fluid boundary between authentic and pseudepigraphical works in the Christian tradition. Its themes, such as the contrast between Old Testament benefactions and Jewish ingratitude, echo earlier patristic typology but are amplified in a later rhetorical style.
Historical context
The work is attributed to John Chrysostom (c. 347–407), but its earliest manuscripts are medieval, and its content differs markedly from his genuine writings. It likely originated in a Byzantine monastic community between the 8th and 10th centuries, a period when passion narratives and pseudo-Chrysostomica proliferated for liturgical use. The text was read during Holy Week, reflecting the Byzantine tradition of dramatic passion piety. Its transmission is uncertain; it survives in Greek manuscripts but is not included in the standard CPG corpus. The present edition (khazarzar) provides no critical apparatus or stemma, obscuring its textual history.
background — historical or institutional context the text presupposes
scripture — a biblical quotation or allusion
parallel — a parallel in another text or tradition
reception — later use — liturgy, canon law, daughter versions
caution — uncertainty or a contested reading
sense — what the passage says
Pipeline notes
coverageNo English translation could be identified: a language model asked twice could not name one, though it could not rule one out either. That is not proof that none exists — translations in dissertations, recent books and other modern languages are easily missed.
limitThe English is a machine draft produced passage by passage from the transcribed Coptic; no human has verified it. The commentary is model-written and cites only keys the pipeline could resolve.
registerRegister: history/hagiography in ancient Greek; the English keeps the liturgical formulae and the vocatives rather than normalising them.
structurePassages: 2 narrative.
sourceSource edition: khazarzar — Migne PG text (public domain); khazarzar host and the digitising project state no licence for this layer
A discourse of Chrysostom on the passion of our Saviour Jesus Christ for the holy and great Sabbath.
When I behold the greatness of the master and consider the outrages of his patient philanthropy, my mind is astonished: how he who received all judgment from the Father stood before Pilate to be judged, how the potter was judged by the clay. For what of the most absurd did he not endure for us? He who had purchased all things was sold, he who had made the tree of life was brought to the tree of death, and struck by a hand he endured, he who gave back a withered hand restored to health, and he endured spittings, he who creates eyes with spittle and clay. He endured the pains from the nails, he who had terrified those who attacked him with a breath, and he gave his back to blows, he who had tormented Egypt with ten plagues.
But oh, the ingratitude of the Jews! Do you repay the Lord with these things? For what good thing, O Jew, have you not enjoyed? Having eaten manna, you offered gall; having received water from a rock, you gave vinegar to drink; having been born a man from a virgin earth, you do not accept him born of a virgin, but you nail to a cross the judge as a condemned man, and you plot to put to death the resurrection. But behold all things, even if you are impious toward the power of the crucified one. He was nailed to the wood and he moved creation; he hung and he shook that which bore him. I pity your blindness, O Jew. The ground trembled and you laughed while striking him; the elements were in upheaval and you paraded the outrage. Prophesy for us, Jesus, who it is that struck you.
The word itself trembles in recounting the passion, yet even trembling it does not silence what happened, so that those who look on may not have feared and those who hear may not be ashamed. What then occurred in these events? The sun was withering, seeing the creator being put to death. The master was dying willingly, and the light did not wish to live, but the creation died together with the creator.
But you, even with these things having happened, did not hasten to repentance. A strange and paradoxical thing: above, it banished the sun, and below, it was shut in a tomb, and a stone was placed upon the rock, and death held life, and night hid the true morning star, and soldiers guarded the king of the heavens as a fugitive, and the seals of the Jews guarded the seal of faith. But then one could see an astonishing and paradoxical sight. For the tomb, having received Jesus with a seal, kept the seals but did not preserve the deposit, so that what was written might be fulfilled: that you will not abandon my soul to Hades. And it is no wonder if the tomb did not hold Jesus for three days, when the voice raised Lazarus on the fourth day. Glory to him for ever and ever. Amen.
Colophon. Source: khazarzar ·
licence: Migne PG text (public domain); khazarzar host and the digitising project state no licence for this layer ·
model: deepseek/deepseek-v4-flash:floor ·
provider: Relace ·
cost: $0.0015 ·
generated 2026-11-15.