Work dossier · summary and historical context
This homily, traditionally attributed to John Chrysostom and titled 'In latronem' (On the Robber), is a festal oration for the Holy Innocents that combines exegesis of Matthew 2:16–18 with moral exhortation against greed and idolatry. It focuses on the 'good thief' (Dismas) from Luke 23:39–43, using his repentance as a model of salvation by faith. The work opens with a rhetorical question and proceeds through exempla of conversion, including Paul, the tax collector (Matthew), and a repentant harlot. Its authenticity is debated due to thematic repetition and lack of early external attestation, though its style is consistent with Chrysostom's Antiochene oratory. The Greek text survives in manuscripts from the 10th century onward, with no critical edition available in the khazarzar source.
This homily is significant for its early treatment of the 'good thief' as a model of salvation by faith, a theme that later became prominent in Christian soteriology. It also illustrates the development of festal preaching in the Antiochene tradition and the use of exempla for moral instruction. The disputed authorship highlights the challenges of attributing late antique homilies and the need for careful textual criticism.
The homily is traditionally dated to Chrysostom's Antiochene period (c. 386–397), but no external evidence confirms a precise year. It was composed in Greek for a Christian community in Antioch, a major center of early Christianity and rhetorical culture. The work belongs to the genre of festal homily, delivered on the feast of the Holy Innocents (commemorating the massacre of infants by Herod). Its transmission is complex: the earliest surviving manuscript witness is from the 10th century, over 500 years after composition, leaving a significant gap. The homily was incorporated into the Greek liturgical tradition, but its attribution to Chrysostom is not universally accepted; some scholars question its authenticity due to thematic repetition and lack of early citations. The khazarzar edition lacks a critical apparatus, limiting its use for textual criticism. The homily reflects Chrysostom's characteristic rhetorical style, combining exegesis with moral exhortation, and engages with contemporary concerns about greed and idolatry.
Apparatus · what the pipeline recorded
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| no glossary terms recorded | |||