Work dossier · summary and historical context
This homily by John Chrysostom argues that the Son of God possesses no independent creative power, a central tenet in anti-Arian polemic. Written in a homiletic and polemical register typical of Chrysostom's catechetical style, the work likely dates to his Antiochene period (c. 386–397). The title is a later editorial summary of the content, not original to Chrysostom. The text survives in a single manuscript tradition, and the khazarzar edition relies on a 17th-century printed edition without critical apparatus. Although cited in later Byzantine florilegia on Trinitarian doctrine, it never entered the standard liturgical cycle.
This homily is a key witness to Chrysostom's anti-Arian polemic and his pastoral approach to Trinitarian doctrine. It reflects the theological concerns of the late 4th-century Antiochene church and the broader Nicene-Arian controversy. The work's citation in later Byzantine florilegia shows its enduring relevance for Trinitarian theology, even though it remained outside the standard liturgical corpus.
The homily is attributed to John Chrysostom (c. 347–407) during his tenure as a presbyter in Antioch (c. 386–397), a period marked by intense theological debate over Arianism. Antioch was a major center of Antiochene theology, emphasizing literal exegesis and the full divinity of the Son. The work engages directly with Arian claims that the Son is subordinate to the Father, arguing that the Son has no independent creative power, thus affirming Nicene orthodoxy. The text survives in a single manuscript tradition, with the khazarzar edition based on a 17th-century printed edition that lacks critical collation of all witnesses. Its transmission is limited; it was cited in Byzantine florilegia but never entered the liturgical cycle. The title is a later editorial summary, not original to Chrysostom.
Apparatus · what the pipeline recorded
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