Work dossier · summary and historical context
This homily by John Chrysostom, known by its Latin incipit 'In illud Apparuit gratia dei omnibus hominibus', is a Greek sermon likely delivered during his Antiochene period (c. 386–397). The text, preserved in a digital compilation of uncertain textual basis, opens with a reference to a prior discourse on temperance and employs vivid metaphors—such as an iron chain restraining a wild dog and the eye as a window—to warn against visual temptation and lust. It inverts the expected analogy of physical harm to emphasize moral self-harm. The homily is not included in the standard Patrologia Graeca collection, and its later liturgical or canonical use is unverified. The edition lacks critical apparatus, making assessment of variant readings or scribal errors impossible.
This homily illustrates Chrysostom's moral and ascetic teaching, particularly his use of vivid metaphors to warn against lust and visual temptation. It relates to his broader corpus on temperance and the dangers of desire, echoing themes in his homilies on Matthew and other works. The homily's uncertain textual basis and absence from standard collections highlight challenges in studying Chrysostom's lesser-known works.
The homily is attributed to John Chrysostom (c. 349–407), a prominent Greek Church Father and preacher. It was likely composed during his tenure as a presbyter in Antioch (c. 386–397), a period when he delivered numerous exegetical and moral homilies on Pauline epistles and other biblical texts. The community was the Christian congregation of Antioch, a major center of early Christianity with a strong tradition of Antiochene exegesis. The language is Greek, the original language of Chrysostom's works. The genre is a homily, a sermon intended for liturgical or catechetical instruction. The transmission of this homily is problematic: it is not found in the standard Patrologia Graeca collection, and the source edition (khazarzar) is a digital compilation that does not document the manuscript(s) used, so the Greek text may be eclectic. Its later liturgical or canonical use is unverified, and no critical apparatus is provided, so the textual history remains uncertain.
Apparatus · what the pipeline recorded
| Coptic | Rendering | Count | First |
|---|---|---|---|
| no glossary terms recorded | |||